yeah thats hwy its so centered. We didn't really use any true overheads and I was getting a lot of hat bleed on the snare - so if I turn up the hat mic I can only get a little taste of stereo wideness before it starts to be wayyyy too much hat.
The mic setup was -
1 kick
1 snare
2 toms
1 ride/overhead
1 crash/overhead
1 hat
The room wasn't the best, so we lowered the overheads to the point where they are acted more like individual cymbal mics.
I think the bass is one of the big problems with the kick... no real separation. Unlike drums, I can get the bassist to do it over again pretty much any time (our drummer lives 2 hours away, so we can't really do much recording on a whim). I may try going for a less boomy bass, which may lend a little versitility in kick.
Are there any glaring frequencies that jump out at you that need work? I think i may have overdid the kick under 100 hz.