Here is the deal...
I just arrived in sunny Florida, and to my suprise my uncle has a studio in his house. A few years ago he bought $30,000 in gear, and paid an engineer to hook it up. Long story..., but I'm pretty happy about the situation
The problem is that I'm completely boggled by the complexity of the setup. In short... He has a 32-8 Mackie console, rows of outboard effects, two composers, half dozen synth modules, and other misc. crap. He had the engineer build a transformer of some sort that powers up the entire rig in sequence. Yea, I know...
My uncle has never really figured it all out, so he is of little help. I turn to you guys.
Here is what I'd like to do.
1. Get my Delta in and out of the console.
2. Be able to add the outboard effects AFTER I have recorded.
That's it really, and here is how he is set up...
He has an old version of Pro-Tools (which cost $10,000 at the time, ouch) somehow hooked up to the console. I won't be using that. He has all of the effects and modules, except the composers, going into regular channels. I thought that was kind of odd.
I have a Delta 44, 2 stereo ins and outs, or 4 mono i/o. I use Cakewalk. What is my course of action?
I'm prepared to reroute the whole operation, but I'd like to try to keep his setup fairly un-altered if possible.
-Val
I just arrived in sunny Florida, and to my suprise my uncle has a studio in his house. A few years ago he bought $30,000 in gear, and paid an engineer to hook it up. Long story..., but I'm pretty happy about the situation
The problem is that I'm completely boggled by the complexity of the setup. In short... He has a 32-8 Mackie console, rows of outboard effects, two composers, half dozen synth modules, and other misc. crap. He had the engineer build a transformer of some sort that powers up the entire rig in sequence. Yea, I know...
My uncle has never really figured it all out, so he is of little help. I turn to you guys.
Here is what I'd like to do.
1. Get my Delta in and out of the console.
2. Be able to add the outboard effects AFTER I have recorded.
That's it really, and here is how he is set up...
He has an old version of Pro-Tools (which cost $10,000 at the time, ouch) somehow hooked up to the console. I won't be using that. He has all of the effects and modules, except the composers, going into regular channels. I thought that was kind of odd.
I have a Delta 44, 2 stereo ins and outs, or 4 mono i/o. I use Cakewalk. What is my course of action?
I'm prepared to reroute the whole operation, but I'd like to try to keep his setup fairly un-altered if possible.
-Val