Good Friend
New member
ok ok
Let me guess that the ONLY WAY YOU CAN RECORD A DRUMSET AND HAVE IT MOVE PEOPLE is to put a 1000 dollar mic in every possible place around each drum, and have every mic running through some 3000 dollar Neve clone made by hand, and every mic into a seperate track of your 20000 dollar recorder. That even isnt enough. Now its time to pull out the boutique eq (the only "useable" eq that exists) and tweak endlessly. If that wasnt enough, lets get out the 660 tube limiter replicas that cost 10000 together and run it all through that. Because god knows that no one can hear an audible sound unless you do these things.
Next is guitar right? Well lets get a vintage ac30 and mic it in 6 ways then mic a twin reverb 6 ways and just for shits well mic a little crappy amp too and use a direct signal as well then combine them all for gods ultimate guitar sound even though the voice is what everyone hears when they hear a song.
Now were actually making music!!
Let me guess that the ONLY WAY YOU CAN RECORD A DRUMSET AND HAVE IT MOVE PEOPLE is to put a 1000 dollar mic in every possible place around each drum, and have every mic running through some 3000 dollar Neve clone made by hand, and every mic into a seperate track of your 20000 dollar recorder. That even isnt enough. Now its time to pull out the boutique eq (the only "useable" eq that exists) and tweak endlessly. If that wasnt enough, lets get out the 660 tube limiter replicas that cost 10000 together and run it all through that. Because god knows that no one can hear an audible sound unless you do these things.
Next is guitar right? Well lets get a vintage ac30 and mic it in 6 ways then mic a twin reverb 6 ways and just for shits well mic a little crappy amp too and use a direct signal as well then combine them all for gods ultimate guitar sound even though the voice is what everyone hears when they hear a song.
Now were actually making music!!