mixsit said:I've always figured the biggest factor of getting the cab up off the floor was just coupling from that one barrier reinforcement (is that the name for it? ) and changing the reflection-frequencies. But I guess it's taming the floor vibrations to boot. Good point.
Wayne
Hello Amped. That should work to an extent, maybe two layers of it. However, here is the REAL problem. Even though you may decouple the direct structural transmission from amp to floor, the fact remains you have a wood floor, which is a diaphram/ membrane. ALL objects have a resonant frequency, but suspended membranes are the worst. No amount of decoupling will help with this. There will be certain frequencies that will excite the floor regardless. If transmission to a neighbor below is occuring, de-coupling will not help at resonant frequencies. In fact, there is very little you can do to stop these. Especially lower frequencies. Even concrete floors between upper and lower spaces have a resonant frequency, although because of its mass, the frequency will be much lower. Structural transmission of low frequency via resonance will transmitt throughout a building via connections too. You could dampen this resonace via heavy carpeting, but you can't stop it. Here is the plus side though. If the floor cavities are sealed, you have a certain amount of built in bass absorption within YOUR room!! Even your walls provide built in absorption. Although usually, this is NOT enough. Especially in small rooms. Of course, if the walls are concrete, there is very little absorption as they are not a sealed membrane. Drywall/stud walls create membrane traps, which work at specific frequencies. Well, enough ramble. Later.How do you guys isolate your guitar/bass cabinets from the floor? I have some leftover 703
Well first I should have said de-coupled from... Oops.Amped said:Hey Wayne, whats up bud!? Im not quite sure Im understanding your post, care to elaborate?
Why else would you de-couple the amp from the floor? It would have nothing to do with acoustics, unless a mic stand was on the same surface.Never gave much thought as to how the floor was vibrating
Roger that. I'm just focusing from the other direction (as well as messing with the original point of the thread- shame on me. )RICK FITZPATRICK said:Why else would you de-couple the amp from the floor? It would have nothing to do with acoustics, unless a mic stand was on the same surface.
fitZ
Not really. But since there is only dirt undernieth, and there is no one to bother, what the hell Nothin you could do about it anyway. Just for your own reference though, what I am refering to is TRANSMISSION via the resonant frequency. Even a small portable radio could do it. Thats why real studio designers lower the resonant frequency of the floor to at LEAST an octave below the lowest frequency the monitors will reproduce. Then match the wall transmission loss to the floor. If on a de-coupled slab, then the walls/ceiling set the low frequency resonance TL/ target. Everything else, such as doors, HVAC, windows are spec'd to match.Fitz, its gonna take a lot of power to get three layers of 3/4" OSB to react like a diaphram, especialy when the floor joists are 2x10's 16" OC. Fortunately, this is a free standing (pier & beam) building with nothing below except dirt.
Cool. Nice rig. Good luck with the de-coupling.I just picked up a Hartke bass rig with no casters and theres a lot of surface to surface contact.
Roger that mixit! I do too. One step at a time.But I see the acoustics of it coming ahead.