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i got mad beatz, r&b, hip hop, rock, pop, even house/trance/break. go to my site link underneath my post. check em out for yourself, what is up on the site is just a small portion of a grand arsenal.just reply back in this thread.

click on the link under my post then go to albums and click on the fire picture once at my music site u can listen to any thing i have up.

ill shit, i dunno y no1 hasnt replied or took the time to listen. Most of the people on this board are haters and if they hear something that might be hotter than theirs they hate on it. hit up my site links below.

Traks sound good, real intricate compostions, i like the drums, and the rhythms. One of the few on this board with any talent.

stuffs out there man but i dig your style.

Sorry but it seems to be stating the obvious since most people are home based recording.... Why do you post your whole composition with changes, breakdowns and all. You do ofcourse realize that buy changing the soundcard recording input to wav/midi/cd that anyone can steal your beats by...

sounds pretty good, there are other forms of snare besides handclaps though. Drums sound a little generic. On the whole though you got vision.

since vocals tend to be in the center you could suppress the surrounding frequencies but i have never tried please let me know how it turns out. your never in copyright infringement untill you attempt to market something or perform something that you do not own the copyright to.

hey dont badmouth he didnt say cubase did he, and for the fact of the matter no software compressor compares to a hardware compressor.ne body will tell you that. so before u go around blabn at me about my posts check ur self homie. why on earth would you use software compression, as i...

it would take a long time record them track by track which requires manual supervision, which leads to boredom, which leads to inconsistency. it would be easier to download them from a share site. but if he/she wants to record them track by track, if they pm me i will send them software to do...

i have a behringer composer pro xl and i dont give a !@@@! what anybody says dbx isnt that much better. slightly more control test drove both, and for the price definitely the behringer. it ran me about 150, but that is the two channel model, the one channel is 60. shop the net, most music...

well digital would be optical. if you have optical inputs and outputs on your devices yes it will make a great difference. but as far as your guitar,keybaord or any instrument, high quality cable has to do with the type of wiring and insulation used. high quality cables are ofcourse a thicker...

xlr balanced are best but there really isnt a difference when recording on an analog device so typically recording to tapes unbalanced, digital id go with balanced. and also do you record to adobe or the boss. not to knock hardware recorders but you really have so much more control with software.

ok dude if you really want to do that first off, everything everybody else said is correct, but the line in isnt always the default recording line. it could be set to mic depending on your sound card, and you do realize it will take days to do that if you really have that much stuff. heres a...

You should always use the shortest cable possible, but you do not want to be to close to your interface, especially if youre recording onto a computer causes nasty distortion, and feedback. high quality cables are always best for recording.

software compression/gate/limit/excite is a post processor it only works after the vocals are recorded tryed it a million times, but compression works in realtime, and software just cant match what youll get from processesing before you record. you can get a decent compressor for about $50, you...

did u hook it up like i said, i couldnt remember if the 532 did or didnt i had one about 2 years ago but i sold to a friend when i got new mixing board and started recording on computer. i only used it to process guitar. give me some more info man, ill try to help u the best i can.

i record vocals everyday. i have my own studio and work with a lot of clients locally, record the vocals in mono, make sure the vocalist is singing,rapping, screaming or whatever directly into the mic as not to loose intensity. and there is a magic black box that gives vocals fullness...

now if your still getting static check your connections make sure your input and output levels arnt jacked up and are at a reasonable level. after that check the compressor make sure it is setup correctly gate should be set to about -30db, compression is best about 2:1 or 4:1 attack and release...

ok the boss portable studio right,this is what u do, i dont think the 532 has phantom power, so if you are using a condensor mic you are going to need a power box to run the mic thru to receive power. local music store should have one. If just a regular shure sm57 or any dynamic mic: plug into...