Recent content by vox

Which part?

I could be way off base here, but the impression I get is that you are currently starting out by EQing every instrument to sound good on it's own. In a mix the individual tracks are usually a lot thinner than you might think, and they need to be EQed to not step on each other, and to fill the...

Exactly, you would potentially end up with more noise and a crappier signal if you try to boost something with a really low recording level.

Thanks for posting the solution, I hate it when people leave everyone hanging.

(y)(y)

You don't know which box you checked, or it's too small to read?

Are there any kind of MIDI settings in your interface? Is it possible the problem is the middle man?

Yeah, it's more like radio, you broadcast your MIDI signal from the DAW and you tune in the SR16 to receive it. The "Radio station" doesn't know what devices are listening.

The default note assignments from the manual are: Drum/Pad MIDI Note # Key Name Kick 036 C1 Snare 038 D1 Cls Hat 042 F#1 Open Hat 046 A#1 Claps 039 D#1 Perc 2 067...

So you want MIDI from the DAW to trigger the sounds in the module and then record the audio outs? Or are you trying to use the module pads as triggers to record midi sequences into the DAW?

http://www.mh-audio.nl/Acoustics/DiffusorCalculator.asp

The diaphragm is going to be moving in reaction to the sounds it hears no matter what you do, connected or not.

Get a 70 Hz tone or a keyboard note and play it on a loop, move around the room and see if the volume changes. Can you hear it outside the room but not in the room, does it vary in volume throughout the room? It might be cancellation or comb filtering, or maybe a reverse polarity cable?

Larger contact surface area usually gives you a more reliable connection, it's also harder to damage.

Well not exactly, but I think these things sound pretty good http://www.simulanalog.org/guitarsuite.htm