Recent content by Sen

bump :):):)

Either that or the phones/line output..sounds the best for direct recording IMO. I've had that GT6 box for years and never could/tried hard to get a decent sound out of it , but after a bit of tweaking the other day, I realised that it's actually a great little pedal..So keep at it, with a bit...

thanks guys...I hope it finds someone who'll love it as much as I do... C'mon Tom..who asks wives anything these days :D:D Happy New Year!!

still available :cool:

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Hello, My home with the recording studio is up for sale. This is once-in-a-life-time opportunity to buy your self a lifestyle that we all dream about. The studio is basically new, having been completed only 2 years ago. It is built separately from the house and is fully soundproofed and...

Or run the mic level signal out of "mic out" on U5 into the mic input on 737 and use its mic preamp as well as eq and comp. This is actually what the DIs are for, bringing it to mic level.U5 has just that extra option of running line out directly to your recorder (or 737 "line in" in this case...

Definately use th U5 as the DI and then into 737 (either via line or mic in)..U5 has both those outs..

I think you would have to be a bit of an idiot to screw into a stud that you were staring at just before you put a pece of drywall up..hopefully you would mark where the studs are as well on th drywall surface.. And OP, they are very effective when properly used and when the load is calculated...

Mic placement is usually the main reason people don't record what they hear in the room.Try a (cheap if you can't afford a good one) condenser further away from the amp. Also suggestion about the digital levels and gain at which you hit your plugins once tracks are recorded is VERY important...

Yep, It's complete rubbish.I had mine for a day before I sold it...fortunately, i got nmy money back and since then when I see SM Pro anywhere, I steer away from it.

If you're capturing the cymbal sound mainly with o/heads, I think you should be looking at putting SDCs up there.If capturing the majority of the kit sound as well as cymbals with the o'heads,and just filling the sound out with spot mics (snare,toms,ride,hh....) go LDCs. cheers

Yep, At 3035 is an excellent mic for the money

You're half way there with that one. What soundcard is in your computer?

At 3035 :)