depends on how much gain you set .... they don't have a nice distortion but when I use a TS I tend to set the gain on zero ...... set like that it's almost like it isn't even there ..... just a tiny bit 'o' push to the front end.I think TubeScreamers on their own (sim or real) sound like a bag of dicks. Really harsh and buzzy. .
I think TubeScreamers on their own (sim or real) sound like a bag of dicks. Really harsh and buzzy. Can sound great into a crunched amp though.
depends on how much gain you set .... they don't have a nice distortion but when I use a TS I tend to set the gain on zero ...... set like that it's almost like it isn't even there ..... just a tiny bit 'o' push to the front end.
Been wondering where you've been the past day or so Greg, hope everything's going good for ya...I'm still hangin' in there, things are a little different for me now, but it'll all work out eventually.....
Pretty sure I still have one of those...got it off ebay around 10 years ago for cheap. Plugged it in once? Twice? Still haven't been able to get rid of it for some reason.I had one of these back in the day. But it was way to metal for me and i traded it for a pack of smokes and Jim Beam at a show way way back. I told the kid it was a tube screamer.
Close enough.
I agree with that, but I'd still only do it into a crunched amp not a clean amp! I would use a lot of level and a slight bit of gain though to turn a hard rock sound into something a bit more metal! In fact, that's exactly what a current tone I am using needs.This ^^^^^^^^^^^
I set mine with zero gain, usually max output, or close to max. It just drives the amp harder. The mid hump alone makes them worthwhile for leads. I never leave it on though. Just kick it in for a lead push.
That sounds cool. I'd just like the bit at the end where the unison bends come in to be a bit longer before the song ended.
Here's a mastered version of a song I finished recently.
Supercreep is responsible for all vocals & melody.
I did the hokey solo on the intro as well as bass and the underlying guitars.
Our own tonal terror, Greg, plays the main guitars.
They are more clearly featured about 1/2 way through.
All axes were recorded using valve/tubey things that required rather a lot of volume to give of their best.
I agree with that, but I'd still only do it into a crunched amp not a clean amp! I would use a lot of level and a slight bit of gain though to turn a hard rock sound into something a bit more metal! In fact, that's exactly what a current tone I am using needs.
DS1 still has its uses. I haven't recorded it in months (when I was recording pedals into a sim before I got my amp) but I sometimes like that style of distortion and I found it handy live recently when I needed an extra drive pedal for some heavily distorted leads that needed to come over quiet in the background during a verse.
Shan, a mate of mine had one of them! I thought it was amazing at the time as I only had an HM2
That Super Overdrive I use can be found used dirt cheap. They're everywhere, and they're awesome. Hell, brand new they're only like 50 bucks U.S. American quids. And it's buffered, so it's good for long cable runs. Check one out.
The OCD is a fucking great sounding pedal but I was hoping it would be able to set it up to use as a boost - it doesn't seem to work with a crunched amp at all well though - you get a weird phasey effect. Its great as an "amp in a box" type alternative sound though and has a massive amount of volume available!
Right. The OCD is a better amp-in-a-box in front of a clean amp rather than an overdrive pedal. As an overdrive it just makes a mess. It's terrific in front of a clean amp.
too poor to buy something I don't need.Haha cool. Get it!