Recording engineer college help

  • Thread starter Thread starter punx_drummer
  • Start date Start date
P

punx_drummer

New member
hey. Ive been looking for some Music colleges that specialize in either music teaching(how to professional play an instrument and learn notation) or record engineerin. I would like to be a recording engineer in my future. Does anyone know any good colleges that offer these things, or more? (so far ive found berklee, thats it)
thanks
 
c9-2001 said:
best spot so far for ME.. is SAE check them out

www.sae.edu

Cool ! I was just about to ask that very same question. I actually saw the link to SAE at www.focusrite.com and thought that if Focusrite recommends them then that's great but I wanted to double check by asking about them here. And so I got my reassurance. Thanks :)

Daniel
 
Are you sure you want to be an engineer? It most often doesn't pay well at all. Which is OK if you love the trade, but alot of times it doesn't even pay the bills, and that could be a problem.
I went to a recording school, and altough I learned alot, I was unprepared for the crappy nature of the industry. But, That's just me. I'm just saying be cautious and talk to studios in your area before you enroll in any school.
 
SS454 said:
Are you sure you want to be an engineer? It most often doesn't pay well at all. Which is OK if you love the trade, but alot of times it doesn't even pay the bills, and that could be a problem.
I went to a recording school, and altough I learned alot, I was unprepared for the crappy nature of the industry. But, That's just me. I'm just saying be cautious and talk to studios in your area before you enroll in any school.

You're absolutely correct. I have a friend who has been a recording engineer for a couple of decades and he has 2 jobs in addition to his engineering one just to pay the bills ! Now that's crappy !! He has concerts to set up and does recording projects in the studio. He's always busy with it and mostly looks like crap .. always tired with bags under his eyes ! BUT he always tells me that, even though the pay is very small, he loves being an engineer. He'd probably recommend doing it for the love of doing it and that's it. If something comes of it then great but never expect it to. Just enroll in a good school, if you have the money, learn from them, gain hands on experience and go from there. At least you'll be good at what you like and you'll carry with you a confidence and respect by others in the field. Do something else to pay the bills though ;) Ah, one more thing, the same can be said of most University and College courses. Even though you have a PhD in Psychology, it doesn't mean you'll get a good paying job. I have another friend who spent his entire youth getting into a Law School and got in there on a full scholarship. Today he washes dishes in a restaurant and hopes to file papers in a local law firm. He spent so much time reading books and aceing tests that he forgot one important thing - to gain on job experience. It's tough out there and only a few make it big - in anything !

Daniel
 
SS454 said:
Are you sure you want to be an engineer? It most often doesn't pay well at all. Which is OK if you love the trade, but alot of times it doesn't even pay the bills, and that could be a problem.
I went to a recording school, and altough I learned alot, I was unprepared for the crappy nature of the industry. But, That's just me. I'm just saying be cautious and talk to studios in your area before you enroll in any school.

Hi,

What do you mean by: "I was unprepared for the crappy nature of the industry." ? Could you expand on that please ?

Thanks :)

Daniel
 
cjacek said:


Hi,

What do you mean by: "I was unprepared for the crappy nature of the industry." ? Could you expand on that please ?

Thanks :)

Daniel

he means there is no job market except for the one you can make for yourself.. ie start your own studio. I was an audio/video mastering engineer for 10 yrs and got laid off and couldn't find shit that wasn't interning for min. wage in either video or audio. Work experience just meant I was over-qualified and nobody wanted to pay me even half of what I was making. I can keep busy doing free-lance, but it doesn't pay the bills. I do my own stuff because I love it, but if I had the option of doing it over again, I would have stayed in college.

I guess there was some court ruling about recording industry collusion and CD prices that will cause CD prices to drop.. guess what that means.. even less of a studio job market.
 
JR#97 said:


he means there is no job market except for the one you can make for yourself.. ie start your own studio. I was an audio/video mastering engineer for 10 yrs and got laid off and couldn't find shit that wasn't interning for min. wage in either video or audio. Work experience just meant I was over-qualified and nobody wanted to pay me even half of what I was making. I can keep busy doing free-lance, but it doesn't pay the bills. I do my own stuff because I love it, but if I had the option of doing it over again, I would have stayed in college.

I guess there was some court ruling about recording industry collusion and CD prices that will cause CD prices to drop.. guess what that means.. even less of a studio job market.

Let me ask you very quickly .. You say that you'd go to College if you had to do it "over again". What would you study in light of what you know now ? What would you recommend to others who are at a similar point in their lives as you were just starting out in the world, from an educational stand point ?

Thanks,

Daniel
 
cjacek said:


Let me ask you very quickly .. You say that you'd go to College if you had to do it "over again". What would you study in light of what you know now ? What would you recommend to others who are at a similar point in their lives as you were just starting out in the world, from an educational stand point ?

Thanks,

Daniel

Well, my interests were political science and computer science... so I probably would have majored in poli-sci, minored in music, and gone onto law school. Right now I'm working in the MIS of a research marketing company making pretty good money and have great job security. Mainly because although I was always a music gear hound, I was also into computers.. not just music stuff, but databases, writing excel and access applications.. boring as shit stuff... Ironically, having good business computer application skills is what helped me last so long as a mastering engineer.. it's not all about music in the biz... it's about business too... Which brings me to another point. Both of the studios I worked did not hire recording school grads. We always liked college grads who either majored or minored in music and had other practical skills such as business degrees, accounting, technical skills etc. My first boss was an excellent engineer with an MBA. My second boss was a locally renowned composer. The last is the top studio bass player in the area, but also a business degree holder. Our hiring principle was that you can always teach someone what buttons to push, but we're not going to teach them how to follow a jazz chart, transpose a string section, balance a budget, set up a mastering file system, work flow scheduling, etc. So ya see, good business skills will give you the edge everytime.

On the flip side of the coin, I'm also a firm believer in going for your heart's desire. Sometimes leaving yourself a backup plan or a way out can become something that keeps you from really committing to something. There are times when I wished I had starved and sacrificed and made a real run at being a succesful musician.
 
JR#97 said:


Well, my interests were political science and computer science... so I probably would have majored in poli-sci, minored in music, and gone onto law school. Right now I'm working in the MIS of a research marketing company making pretty good money and have great job security. Mainly because although I was always a music gear hound, I was also into computers.. not just music stuff, but databases, writing excel and access applications.. boring as shit stuff... Ironically, having good business computer application skills is what helped me last so long as a mastering engineer.. it's not all about music in the biz... it's about business too... Which brings me to another point. Both of the studios I worked did not hire recording school grads. We always liked college grads who either majored or minored in music and had other practical skills such as business degrees, accounting, technical skills etc. My first boss was an excellent engineer with an MBA. My second boss was a locally renowned composer. The last is the top studio bass player in the area, but also a business degree holder. Our hiring principle was that you can always teach someone what buttons to push, but we're not going to teach them how to follow a jazz chart, transpose a string section, balance a budget, set up a mastering file system, work flow scheduling, etc. So ya see, good business skills will give you the edge everytime.

On the flip side of the coin, I'm also a firm believer in going for your heart's desire. Sometimes leaving yourself a backup plan or a way out can become something that keeps you from really committing to something. There are times when I wished I had starved and sacrificed and made a real run at being a succesful musician.

Thank you for sharing a most welcome experience with us. The main reason I asked the question is because I know quite a few individuals (myself included) who are struggling through all of this (life thing I meant ;) ) and making so many errors and wouldn't it be nice if someone came along and helped some of us young kids out ? I guess I'm talking about a "mentor". I think todays youth is very much in great need of someone from whom they can learn and it's always good to learn from someone who has some experience behind him .. whether it be in recording or in life. I mean, if I weren't reading this board and asking questions then I'd know less than half of what I know about recording. Same goes for other things like school and such. So I'd really wanna know: Your experience has been in the recording field that the studios that you worked at did not hire recording school grads but rather college grads who either majored or minored in music and had other practical skills such as business degrees, accounting, technical skills etc. Ok, it's good to know how it is in real life application 'cause some recording schools and some popular ones like recording connection (I think that's the name) say that most studios are NOT interested in hireing college grads but only hire people who have experience as a recording engineer and so that's their reason for putting up people at studios to be trained "hands on" and then they say the studio most likely will hire you cause you were trained there and you'll have experience to be hired in any other place. Are these
people full of crap, selling you an idea that doesn't hold water in the real world ? So why do people go to audio engineering schools ? What's the main reason ? And lastly, why should one go to one of these schools in your opinion ? Also, do you think these "hands on" training institutes or schools, whether it be in computers or otherwise, hold any benefits ? Thank you.

Daniel
 
I think JR#97 sums up almost everything I wanted to say. I would've answered sooner but I had to go to work. The construction business starts early, you know. Ha Ha, Nah! ....I wish I was joking.

I think I would've been alot better off going to college and at least getting some other specialized degree. A lot of the studios I worked at also have some reservations as to hiring students from recording schools.
The other thing is that they will usually expect you to work for free at least for a while. And this is OK as long as you have another means of income, but If you ever decide that you should be making money as an engineer and you ask your boss for some pay, then, what's keeping him from kicking your "money grubbin" ass out on the street and hiring some other schmuck who will work for free. The cycle is endless.
You know you could go to a regular college and major in communications or something, this gives you a lot more options, and could possibly include audio.
 
cjacek said:


Thank you for sharing a most welcome experience with us. The main reason I asked the question is because I know quite a few individuals (myself included) who are struggling through all of this (life thing I meant ;) ) and making so many errors and wouldn't it be nice if someone came along and helped some of us young kids out ? I guess I'm talking about a "mentor". I think todays youth is very much in great need of someone from whom they can learn and it's always good to learn from someone who has some experience behind him .. whether it be in recording or in life. I mean, if I weren't reading this board and asking questions then I'd know less than half of what I know about recording. Same goes for other things like school and such. So I'd really wanna know: Your experience has been in the recording field that the studios that you worked at did not hire recording school grads but rather college grads who either majored or minored in music and had other practical skills such as business degrees, accounting, technical skills etc. Ok, it's good to know how it is in real life application 'cause some recording schools and some popular ones like recording connection (I think that's the name) say that most studios are NOT interested in hireing college grads but only hire people who have experience as a recording engineer and so that's their reason for putting up people at studios to be trained "hands on" and then they say the studio most likely will hire you cause you were trained there and you'll have experience to be hired in any other place. Are these
people full of crap, selling you an idea that doesn't hold water in the real world ? So why do people go to audio engineering schools ? What's the main reason ? And lastly, why should one go to one of these schools in your opinion ? Also, do you think these "hands on" training institutes or schools, whether it be in computers or otherwise, hold any benefits ? Thank you.

Daniel


I guess I should clarify that hands on does matter.. just not to the extent that it will get you in the door every time. I mean, obviously you assume someone knows their way around a mixer, knows what a compressor is, all the different fx boxes, etc., if they're being considered for the job. I also left out that a lot of colleges have recording tracts or at least some courses in their music schools.

I really don't have much of an opinion about going to recording schools now days. Mainly because the job market just isn't there to support the tons of grads that pop out every year. We hired 3 from the LA Recording Workshop and they all knew pro-tools, SSL's, Euphonix, high end gear blah blah blah, but they just didn't work out. A lot of it has to do with the high cost of those schools and grads really can't afford to pay off their loans, intern for next to nothing, and still have a life. Of the 5 people I know who have gone to recording schools, only 1 has been able to stick. He went to Full Sail in FL, but he's also a workoholic. He told us he got an edge because he did landscaping grunt work around the building. Here's an article he wrote a few years ago. http://www.recordingwebsite.com/articles/industry.html Another edge he had was that he was a bio-engineer or something and saved for a few years so that he would have something to live on. It was pretty cool seeing him go from home hobbyist to quitting a bio-tech career and diving in head first.


I guess I should also preface that I was damn lucky to get into the biz. I started out working grave yards at a multimedia company doing tape duplication to pay for college. I worked my way into QA where I really developed an ear. Hell, at one point I could identify which tape dupe machine was which by listening to cassette samples! Anywho, I jumped on a chance to apply for a job "upstairs" in the studios working in mastering doing the swing shift. I got laid off from there and landed a job doing video mastering as well as audio and cd pre-mastering at our competitor. Worked there for 7 years til we got bought out by a competitor and I got laid off. They called me back to work pt for a while, but it was bullshit.. they were clueless and ended up selling all off my equipment. Anywho, now I'm back to square one. Ironically, I have very little experience tracking and mixing experience out of all of that!

My opinion on any trade specifc school is kind of varied. The company I work for now specifically does marketing research for those types of schoools.. culinary, technical, nursing, design, aeronautics, massage therapy, etc. In fact, Full Sail is a prospective client. Anywho, I think it all depends on the individual and what your life goals are..not necesarilly your immediate goals. A recording certificate might get you a studio gig and if you're good plus lucky, you might last a full career. A college degree just goes so much further. I also look at it from the stand-point that you can can go to school anytime in your life, but there is really only a narrow window when you can really do the college thing and find out what you want and make mistakes and change your mind a hundred times without taking in consideration a wife and kids, etc. sorry for the novel.. doh...
 
I went to Berklee. There are a few pieces of advice I would give you about Berklee.

1) Do not expect the school to turn you into a great player. You can become a great player at Berklee, but YOU are the one who is responsible for doing it. If you practice, you get better. If you don't practice, you don't get better. The school does not take any responsibility. You can do quite well in your classes without learning much. If you want to learn stuff, you have to work for it because you want it.

2) The place is EXSPENSIVE. Boston has the second highest cost of living in the USA, right after New York.

3) If you join the Music Production & Engineering program, you will have to work. It is the one program in the school which really makes you work to get your grades. I had been in the school for three years before I started MP&E, and I was surprised by how hard I had to work in that department.

4) Berklee has a major advantage over other schools when it comes to teaching recording. There are musicians to record. I had friends out there who had been to other recording schools, and they had a very hard time finding bands to record. At Berklee, you can find a drummer walking past your session 24 hours a day. You can ALWAYS find bands to record.

5) The most important thing at Berklee is to take charge of your own education. The teachers will NOT force you to learn, most of the time. You need to be dedicated and make sure you learn the things you need. The school will give you a great set of tools to learn from, but it is up to you to actually learn.

I would suggest that, if you are just getting out of high school, you might want to take a year off before you go to Berklee. Take some time to party, and get it out of your system before you go. I saw a lot of 18 year olds blow their parents money for the first year or two, because they spent more time hanging out than practicing. The got fair grades, but they did not really learn anything. If you really want to learn anything out there, STAY FOCUSED.

Light

"Cowards can never be moral."
M.K. Gandhi
 
So to sum it all up:

Have a backup plan pal!! And never for get that teachers will always have a job no matter what. Think about it.

Goodnite
Beezoboy
 
Thank you ALL who responded. I really appreciate the time you took to educate us young(er) folks a little bit ;) :) THANKS A MILLION GUYS !! It's a pleasure being here and chatting a bit and most of all LEARNING !

Daniel
 
this was a great thread - thanks guys.

interesting that the thread starter never responded. heh.
 
I was able to support myself (barely) as a full time tech for almost 10yrs working live shows and doing tv/film production. I made more in the last 3 years selling software than I did in those 10 but that's another story.

I heard a great saying once, "Luck is when opportunity meets preparation." I got my start in the film business when an ultra low budget movie was going to film at the steel plant where my dad was a VP. He introduced me to them and since I had been working as a night club lighting tech and doing some home recording for a few years they brought me on the crew (for free of course). I ended up doing most of the location sound and worked as the Post Production Coordinator.

The movie was horrible but a lot of the guys working on it went on to do their own low budget films over the next couple years and I did music and audio work for them. Eventually through those contacts I started getting paid work on commercials and movies and continued to do lighting and sound work for live music.

If you want to get paid learn how to do everything associated with production - Audio, Lighting, Video, Set Construction, Project Management, Sales etc. The more prepared you are the better off you will be when opportunity knocks. That way when you get 'lucky' and happen to sit on an airplane next to a guy who is opening a big studio in 6mos you will actually have some skills to offer him.

If you want to go to school then check what inernships are available and try to secure a good internship before you pay the school. The internship and your demo reel will be the only tangible products that you are buying from the school so make sure you are getting a good deal. Otherwise study something else or take that money and buy some gear and try to sell your services to people who need production help.
 
Hey guys!! I just want to put my two cents in. I was wanting to go to Full Sail, and I still do, but, the way I see it, if can't make any money, I can't buy any gear. :) I've been kind of concerned with going into the audio industry anyways, so I think I've figured out at least a starting plan. Middle Tennessee State University has a Recording Industry Major. I would like to get my bachelors in Computer Science and either try a double major in Recording Industry, or minor in Recording industry + whatever else I have to choose from. That way I could have a degree to get a decent job out of college that there's decent demand for AND learn how to record a little bit so I can satisfy my home hobby and also afford all of my gear. :) What I would love to do is go to Full Sail out of MTSU and get my associates in Sound Production and Touring (I think that's what it's called...) and then off into the rest of life!!! heh... Of course, the chances of this all falling into place perfectly and everything happening like I want it to in my head are very slim, this is at least an outline for me to present to an admissions counselor or someone similar and have them help me put the rest together and fit everything as best we can. heh... just thought I'd share. This has been a helpful forum for me. If I'm not able to buy gear, I don't know if I could handle it. :) Later!!

In Christ Jesus,

Brandon
 
Back
Top