tubedude
New member
Let me explain 1st.
I have limited good preamps and most of the time little or no isolation.
The idea here is to spare my preamps for drums, and not try to mic and isolate cabinets during drum tracking, and to just run one of these into the line in on a board and out to the multi-headphone box (and the bass into a DI into the board). DOes it sound good enough to get some drums recorded (and not irritating enough to distract the performance)? How is the channel switching between dirty and clean? Smooth and fast? Or delayed? Any good distortions?
No, I wont be recording the actual tone of this box. Thats where my Mesa comes in.
Whatcha think.. this is by far the best isolation scheme I can come up with, and I have access to an RP 100 for $60, a RP200 for $100. I'll buy em both if you guys think I should. I'd like the 200 just for the Whammy effect.
Peace!
I have limited good preamps and most of the time little or no isolation.
The idea here is to spare my preamps for drums, and not try to mic and isolate cabinets during drum tracking, and to just run one of these into the line in on a board and out to the multi-headphone box (and the bass into a DI into the board). DOes it sound good enough to get some drums recorded (and not irritating enough to distract the performance)? How is the channel switching between dirty and clean? Smooth and fast? Or delayed? Any good distortions?
No, I wont be recording the actual tone of this box. Thats where my Mesa comes in.

Whatcha think.. this is by far the best isolation scheme I can come up with, and I have access to an RP 100 for $60, a RP200 for $100. I'll buy em both if you guys think I should. I'd like the 200 just for the Whammy effect.
Peace!