Best mic stand for Polka ...

  • Thread starter Thread starter chessrock
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Polka Rules

chessrock said:
Do you think chrome is warm enough? Vocal tracks in the Polka genre need color, don't they? Won't a chrome mic stand take away from that? After the sound travels through the chrome, won't it lose it's warmth?
That's what the mic stand cable clips are for... they break up the sound waves so that doesn't happen... but just to be on the safe side, I recommend a shot with a beer back. But don't try this stand on Disco, because it really doesn't work well for that at all.
 
Wrap alfoil around the crome stand to reflect the radio waves man, then put foam around the mic to diffuse any negative energy simple problem solved. thats what I do when I play polka.
 
If you don't get the right stand there will be no Polka groupies like this one-
 
???

I thought about posting a reply to this nonsense thread but then again I thought, "why bother?"

Everyone knows that the really "with it" polka people are using wireless headsets! C'mon! Mic stands, ha!
 
My 2cents

Dude--Don't tell me your gonna run out and buy a stand based on OTHER peoples opinions!! I would NEVER do that!! The stand that's right for someone else may not be the stand for you. I would go someplace that sells stands and stand next to different stands to find the stand that's right for you. Don't take someone else's word for it!! Now here's MY opinion...I thought the Studio Projects stands "stood up" really well next to the Neumann stands at the NAMM show (Burr Brown booms ya know!) If it's that "transparent color" you crave, I would go with the RNMS (really nice mic stand)---Now that's REALLY the cat's pajamas!!
 
The real trick

is getting something that doesn't clash with the Buddy Guy strat.

Which brings up another question:

Is it better to start with the big polka dots at the beginning of the signal chain, because the quality of the dots you end up with is dependent on the quality of the dots you start out with ( crappy dots in=crappy dots out), or is it better to start with the smallest dots first, and gradually increase them as you go through the chain, thus introducing the least amount of dot distortion. And what is an acceptable polka to dot ratio?

And how does DOT feel about all of this. Especially being polka-ed?
 
this thread is a joke. you guys obviously don't know jack all about real psuedoscience.

you don't even need a mic or mic stand to record polka. all you need is some person or device that will sense the color of the energy spewing from the polka singer's mouth, then record that color. this has been confirmed by several ex-particle-physicists worldwide.

the only thing a chrome mic stand will do is cause glare in the energy field eminations.

what utter noobs. i don't even know why i bother replying to uninformed bullshit like this.
 
Ummm.....mic stand? Can anyone explain to me why the hell you want to either:
a) make polka louder, or
b) reproduce polka so that it could assault other innocent ears at any time?
 
Minker said:
If it's that "transparent color" you crave, I would go with the RNMS (really nice mic stand)---Now that's REALLY the cat's pajamas!!


Actually, I was just thinking about that the other day.

"Transparent color." That's exactly what I want.
 
Wow, this is a great thread. And what a great question. I can't believe that no one has mentioned the newer mic stands on the market, very important features.

The first is the Adaptive Oscillator Arm (tm) technology. How many times have you been recording polka and noticed that the signal gets quieter and louder with the music....and then noticed that the band has started dancing and jumping up and down again even though you JUST told them 30 SECONDS ago to stand still, for the millionth time?!! Every day, I'm sure. AOA technology identifies the beat of the music using complicated beat sensors. This allows the mic stand to actually move and follow the musician even when jumping and dancing around. The band can jump around all they want which makes them quite happy. And when the band is happier, the songs sound better, and that's what it's all about, isn't it?

The second feature is Horizontal From Alcohol Muting System (tm). There comes a time in every polka session, and I mean EVERY polka session, that the musicians are just plain toasted and the takes progress into just drunken yelling, hysterical laughing, and rolling around on the floor. HFAMS identifies both the direction of sound and has a voice recognition system that predicts blood alcohol within roughly +/- 0.1 %. When a musician becomes too drunk to play, the mic stand simply mutes the drunk musician so that the engineer can try to piece together one last take or two from the almost-drunk musicians.

Sure, the stand costs $659 street, but I think that having 6 or 8 of them around is worth it, don't you? Nothing was mentioned about budget, this is the best you can buy.
 
Don't forget the fact that Polka and Beer go hand and hand and therefore must also be factored into the equation.
 
Adaptive Oscillator Arm (tm)

In our clinical tests, the Adaptive Oscillator Arm (tm) failed to deliver on its promise because we couldn't get the musicians to jump up and down in time with the music.
 
tubes

It's all persepective you see... everyone loves that feeling of warmth from a polka player's hug. in order to get this orangy redish blue-tinted tube colour, you have to reinvent the tube


like a pvc tube man.

like this whole thread is down the tubes man

like I've got tu-be going now.




I TOLD YOU I HAVE THE WORST JOKES. SERIOUSLY I JUST REREAD WHAT I TYPED, and... I'm sorry. really I am. wasting time is unfair.
 
Is this a good mic stand locker?

Tell me what I'm missing and/or if this is a good mic stand locker? I have the following mic stands:

1 1978 shure straight.
6 onstage booms
1 Tama short boom
1 Radio Shack desk stand
2 PC desktop condenser booms
1 Tie clip
4 dowels with duct tape

Do I need a vintage mic stand? What do you recommend?
 
Phil--Inexpensive mic stands are fine as long as your only using one or two. They stand up fine by themselves and most people won't know the difference. But try STACKING them in a trailer or on a truck and you begin to notice the problem. The cheaper stands will begin to "get lost" in the pile, and if you want to say, stack a dozen, well, forget about it. You may want to invest in some high end vintage stuff if your planning on a real busy load. The good stands really hold their own in a busy mi.. er.. pile.
 
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