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im interseted in hearing them too. i only saw an add fore them a month ago. might be trying to get in on the b1 market i guess.as long as it sounds as good as there other product line could be a winner. now who will be the first to try

can i suspend mine with fishing string? ive heard that only pre- 1979 milk crates work.

you mean things like GET OUT!!!!!!!!! no ------ but the digital whir from my drive does sound like alien codes of some sort

the analogy of a good pre and a budget always seems to get the same answers all over so generically lately. it usually goes something like this>"the more expensive one only sounds a little better smoother or whatever but where you really will hear it is when you add and stack many tracks...

whats the rock bottom on the 1880 with burner and witrhout?

LETS SEE. TOMMY LEE king of the early double bass players.he made double bass o.k. for normal use(GO BACK AND LISTEN TO THE FIRST ALBUM) along with a heavy footed single bass drum bonham kinda sound.unconventional cymbal grab chokes(NEVER DONE LIKE THAT BEFORE) . gets all the hot chicks twice...

Korg Poly 800

i had 2 of the b-1s and just wasnt thrilled with them. i got mine at 79$ each and another 25 each for the shock mounts. i sold them and got 2 audiotechnica 4040-s and thought it was a better difference as a overhead and- guitar amp- vocal mic combo mic.got them brand new watching ebay for$...

the line 6 spider with the single 12. much more versatile than the peavey classic 30 my buddy use to let me use.

you could copy the bass drum track and compress the heck out of it.make several copies and eq each one a little different and play with panning them. other than that you could try to replace the bass drum track using software or using an alesis d-4 triggering drum modual or similar.

BUSH NEEDS TO DROP A LOAD OF THOSE ADATS ON IWACK. i had an original black face that was nothing but problems and maitanance was horrible. thanks to who designed those vs roland 1880. not a problem in 4 years.

if your using the new roland on the rt-t3 rim triggers return them as fast as you can. go with the dd-drum red shots . THOSE RIM TRIGGERS ARE NOTHING BUT TROUBLE.i took a beating on mine and even roland told me there have been problems with the tom triggers. the snare trigger works o.k. but i...

TED NUGENT is probably the sharpest witted gentleman i have ever met. he-s no dummy you must have missed something or your a fustrated playing on one string killer "e" MEISTER

isint the 845 senn. the sting model?

i scored 2 545-s off ebay and i compared them to my new style 57-s and thought they were thinner sounding and didnt have a punch to them or as much output.i try not to get caught up in who uses a mic.its the singer behind it. i remember someone commenting on using older 57-s in the studio and...

wouldnt it be better to use the roll off on the mic pre then to send the mics signal through its internal filter. what im saying is arent you better off with a clean set mic not runninng through any extra electronics when you can roll off after with a mic pre?

Did Someone Say Dirty-six Dirty?

westbury guitars are the shite!

the topaz is a good start. i wouldnt waste money on more budget pre's like the dmp3 and eureka. id go for a sytek or great river.

the r-8 was a great machine and probably still rocks for some but those sounds are kinda done and overdone for me. it had a couple snare sounds in it worth while and cool vintage sounds cards but thats about it. there are way better options today. if you start programming on your own with a drum...