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i love #4. which one is that?

if your looking for a heavy base i use my old bronco rims with the mic pole through the center on top of the base of the stand . it anchors pretty good.

i would change the b-1 though. i owned 2 and moved away. for me too slightly whistley metalic for multipurpose. now a 57 or a at20/20 might be better .

go on ebay and look up mods for the tube screamer. it seems to be just changing out op amp chips. that will get you started.

i would do a quick comparison. i cant imagine the converters being that bad if you had your heart set on using that feature. 16 bit out- over 24 bit using existing converter is probablythe reason.

there was a guy on ebay selling knock offs. he bought the material from the same factory as stedman i was told.i got mine a year ago. i compared mine with the one in guitar center and it looked identical. i think it was 20$. the verdict is still out for me. i guess its time to break out the...

i liked the truths next to the krks. the mackies sounded better but not quadroople the price. the behringers are tight sounding. never herd of wharfedales except for a few that had problems.

funny i always thought the api was more multi purpose from my research. im looking for the same 1000$ rock pre.

something about the at822 i likes too. isint that the stereo field recording mic? overall the 414 would be my favorite. the 603 close second. the sm7 was a bit boxy weird . my polk audio computer speakers wouldnt lie!

another thumbs up for the pod. i dont care if the mix engineer has to work a little harder to get it to sit in the mix.its just a stepping stone. once the processors get better it will only get closer and i think its good now. another thing to consider is that amps have been miced up forever...

another vote for the tampa! i dont think its the same design as a dmp3 which i love the sound of also. the tampa i believe is class A with some kinda tube emulation harmonic distortion magic. i got me a 2 . theres money to be made in those mid level pre-s because many like me dont want a low...

dont think shears will do it. maybe if you mark the line to be cut with a sharpie marker pen and lock it down in a vice or similar a sawzall or recipricating saw would cut it. just take you time to get a straight line.if you never cut with one its better to let someone do it for you as it is...

i owned that one for a time but dont have a manual for it. i do remember it being more of a stereo type unit and was kinda hard to adjust for mono use. at the time i was happy to get a alesis 3630 if that tells you anything.

OVERHEADS- audiotechnica 4040-s SNARE TOP -sennheiser 835 BOTTOM-4047 BASS DRUM INSIDE HOLE AUDIX D-6

lets see. most studios have them so they cant be that bad.i love the midrange on them. they were designed to act more like a home type stereo speakers . the older versions were tweeked using tissue paper to cut down on the ear fatigue. youll have to learn them but you want several types to...

i put the socket in for easy swap and since my soldering skills arent the best .the heat wont get to the op amp this way. i swapped the tube for a euro tube . it was also suggested to look for old amperex bugle boys and telefunken 12ax7-s. i dont know much about the tube characteristics but i...

if anyone has the time to check out the original roger nichols description of the rane mic pre they would have a different thoughts. i took it as he was having a laugh at throwing in a cheapo unheard of mic pre(spur of the moment) and it sounded good for the application he needed it for...

because in my opinion>the same authorities that tell you the shure 57 is holyer than thou forget to mention you need a 1200$ pre amp to make it sound good,

i have a early version tube mp and it had two of the 5532-s. the opl has a 072 and a 5532. i also burned the units in for quiet a few hours and they got very hot. if youve never soldered its kinda tricky but not too bad . what i did was take the thing completely apart and buy a tiny snipper to...