Search results

I suppose they are. I mean: They probably really are but the recording sessions that I did so far were in less than ideal rooms which has a bigger inpact on the sound than the preamps. The DI's are definitely pretty good. I'm primarily a bass player and recording my basses works very well when...

Pretty much so. A Behringer ADA8000 would be an inexpensive way to expand your number of channels. I happen to own a Profire 2626 by the way and it's serving me well. A solid performer.

I think the Mac Mini = great value for money. Believe it or not but it has plenty of power for the average homereccer. I use mine with Reaper. Works like a charm.

I use a Mac Mini.... :) So no options to add an extra hd internally. However, it's plenty fast for my recording needs. I did a performance test yesterday and it appears that the CPU is probably going to be the first to max out, depending on how many plugins I'd use. The hard drive doesn't break...

That surely sounds like a nice setup.

I have a Sansamp bass driver DI but over time I have started to use it more and more as a straight DI, bypassing al the tonal options. While it can beef up your sound, apparently I've grown to like a clean bass sound more. Heck, I now just plug my bass into one of the Hi-Z inputs of my recording...

That's a major factor for me too. I've been shopping for kick mics lately and it's the main reason why I didn't bother with the Audix D6. While this mic has a good rep, I think virtually nobody knows about that mic here in Europe. So I picked up both a Beta 52 and a Beta 91 off ebay.

LMAO. I know it's popular as a doorstop or paper weight but the 3630 is even more versatile than I thought.

Personally I'd plug the bass directy into the mixer. Usually that'll give you a usable bass sound effortlessly. Unless you have an absolute killer bass amp, I wouldn't bother sticking a mic in front of it. I'm a bass player and it's my preferred way of recording myself (since I don't own an...

I don't see why you can't connect both to the single FW port. Audio isn't all that demanding. Let's say 8 tracks at 24bits/44.1kHz = roughly 1 Megabyte/sec. FW400 reaches 50MB/sec theoretically. That leaves you quite some headroom. Just daisychain both devices together and connect them to your...

Well, usually interfaces with built in mic pres also have line-ins so you can bypass the pres and use some outboard ones.

I used to have an RME Fireface 800. Hardly used it and eventually sold it when taking a break from recording. It was too good and expensive for what I did or needed anyway and I could use the money back then. Recently I picked up recording again. Got myself an M-Audio Profire 2626. I had good...

I used an MD421 during my last recording session (back in May) which was okay (didn't put too much time in placement though). Now I got a Beta 52 and a Beta 91 off ebay very recently. In fact, I haven't even received them yet. Gonna put them to the test in two weeks during a recording session...

Yup. The first mic I ever bought was an XM8500, just because I couldn't afford anything else. I never a/b'ed it to an SM58 myself but I let a singer borrow it from me once and he found it not too shabby either.

Hooked the 2626 up to my Mac Mini and it performed flawlessly. 7 channels drums, one for guitar and used the spdif for bass. I'm happy.

I'm going to give my brand new M-Audio Profire 2626 a serious spin tonight. I'm going to record 6-10 channels at once, depending on the final recording setup (especially how many mics I'm going to use on the drums). But so far I don't have any reason to believe it's not up to it.

It could. Both bass and keyboards can be recorded directly, without being dependent on good acoustics. Still, that doesn't give you an instant pro sounding recording. To start with, in general for bass you need: Fresh strings, fresh strings, fresh strings.

I've done multitracking (although never more than 4 tracks simultaneously but I'm sure it wasn't maxed out) on a 4200rpm drive in a laptop that I bought in 2004. More is always better but if it is working for you now, I don't really see the need to upgrade. So keep that money in your pocket.

The last few years I have done virtually nothing with music and I've sold some of my gear but I have two beat up, old 421's and one ditto 441 and they'll stay no matter what. Get an MD421 if you can. It's one of those mics that the average Joe can afford AND are good enough for Abbey Road. That...

Hmmm, this thread makes me wanna listen to Rush. Listening to Moving Pictures as we speak :)