spantini
COO of me, inc.
Some 40+ years ago, my first song (instrumental) was recorded at our band's first multi-track session in a decent home studio. Shortly after, our band leader wanted to get one of his tunes from that session onto vinyl and asked me to put my song up as the A-side. As we were at the record co. going over the last minute bits, they suggested correcting the cymbals due to them being "too hot". I declined and they went ahead "as is".
In those days I knew nothing of what was coming down the pike as far as audio recordings. I was assuming these vinyl pressings would still be the medium for many decades, and with many playings the hot cymbals would naturally degenerate, losing their edge. Well, we all know how that scenario turned out.
We had 400 pressings and I don't have a single one I can lay my hands on. I think my old bandmate has his original copy. All I have is an .mp3 with hot cymbals
Don't assume.
In those days I knew nothing of what was coming down the pike as far as audio recordings. I was assuming these vinyl pressings would still be the medium for many decades, and with many playings the hot cymbals would naturally degenerate, losing their edge. Well, we all know how that scenario turned out.
We had 400 pressings and I don't have a single one I can lay my hands on. I think my old bandmate has his original copy. All I have is an .mp3 with hot cymbals
Don't assume.