For decades, I've shied away from recording of any kind because I never liked the sound of my own voice. (I don't like having my photo taken either - I look fatter than I am) One day, in the recent past, I thought to search the net to find out if there was any info on why I sounded different. To my surprise, there is info out there.
Why Does My Voice Sound Different? - Why does my voice sound so different when it is recorded and played back?: Scientific American
What can I do or what are the necessary steps that an sound engineer would take to
record the voice so it would sound similar to what the speaker/vocalist hears via their own ears and bone conduction?
In my case, and some of you may already know that I suffer from profound hearing loss, but not completely deaf, but... in my case, I would best describe that when I speak, it is as though I am in a sound proof booth or in a padded cell or something to that nature.
I don't hear common reverberation unless I shout and even then, the decay is real fast or reverb dies very quickly if not immediately, depending on the room acoustics of course.
The next part is my voice is noticeably nasal in a recording but not so nasal when I am not hearing through recorded media. I wish I knew how to describe my heainr so I can ask the question accurately.
The best analogy I can come up with is the effect that the wah-wah pedal produces
For a time, I thought a Compressor limiter and gate would be equipment to use in order
to change my voice from the nasal to what I actually hear myself, which is described as a baratone but I don't think those are the tools to do the job, though they may contribute a slight. I am thinking it would be eq and then that device I can't put my finger on.
Oh.. I am not talking pitch shifting in any way shape or form.
I hope somebody here could help me with this one. Again, sorry if I cannot ask the question quite right.
Why Does My Voice Sound Different? - Why does my voice sound so different when it is recorded and played back?: Scientific American
What can I do or what are the necessary steps that an sound engineer would take to
record the voice so it would sound similar to what the speaker/vocalist hears via their own ears and bone conduction?
In my case, and some of you may already know that I suffer from profound hearing loss, but not completely deaf, but... in my case, I would best describe that when I speak, it is as though I am in a sound proof booth or in a padded cell or something to that nature.
I don't hear common reverberation unless I shout and even then, the decay is real fast or reverb dies very quickly if not immediately, depending on the room acoustics of course.
The next part is my voice is noticeably nasal in a recording but not so nasal when I am not hearing through recorded media. I wish I knew how to describe my heainr so I can ask the question accurately.
The best analogy I can come up with is the effect that the wah-wah pedal produces
For a time, I thought a Compressor limiter and gate would be equipment to use in order
to change my voice from the nasal to what I actually hear myself, which is described as a baratone but I don't think those are the tools to do the job, though they may contribute a slight. I am thinking it would be eq and then that device I can't put my finger on.
Oh.. I am not talking pitch shifting in any way shape or form.
I hope somebody here could help me with this one. Again, sorry if I cannot ask the question quite right.