caveat - I've had a bellyfull of red wine and am liable to be over honest, but...
I really liked Gimme The Night. I just love that kind of stuff and on the second listening some of those lead guitar breaks were beautiful. I just reread my first post and haven't changed my view. With more percussion and some harmony there's a real winner there.
(Interesting story. I'm going through the frustrating process of reassembling a band. I spoke to a guitarist yesterday, who makes his living teaching "media assembled" bands to play, he's 45, I'm 43. He asked "which direction are you moving in, are you getting more into funk?" Answer Yes, then he said "Yeah everybody gets funkier as they get older")
Back to the topic - maybe it's a genre thing, but I thought Price You Pay was just..there's nothing there that hasn't been done better before. Also the vocals sounded between a quarter and an eight flat to me - I actually like things to be slightly out of tune but if he'd been sharp it would have given it more life.
I hate to be critical - my stuff ain't worth much at the moment - but I'm beginning to realise that you're defined as much by the stuff you chuck away as by the things you keep. I write (books, not music!) for a living and because I've been doing it so long am a brutal self editor; if things I write don't immediately get the reaction I want then I don't hesitate to kill / rewrite them. But there is a strong artistic argument for doing exactly the opposite, and just because it didn't work for me doesn't mean a thing in the broader scheme.
End of drunken ramble.