Having just acquired some mics for this purpose, I'm starting to record stereo tracks, XY and MS so far. I'm enjoying the results on the individual instruments, but now I'm looking ahead to mixing time to understand better how to record the tracks. I'm recording acoustic instruments, dreadnaught guitar, mandolin, fiddle, upright bass and banjo, no vocals. These are played and recorded one instrument at a time, mostly by me.
My original thought is to record the rhythm section instruments, bass and guitar in mono and the lead instruments in stereo.
The real question I have is mixing strategies for mono and stereo recorded instruments. I've become decent at recording mono tracks in a way to fit with each other with minimum EQ. In the past, one typical way I've paned these mono instruments is banjo -60, mandolin -30, bass 0 (center), guitar +30, fiddle 60. I'll sometimes bring a lead into the center depending on what this does to the rest of the mix. This seems to give a decent balance where everything can be heard. When I pan things wider, it loses some of the "ensemble" sound I want.
I suppose I could mix the stereo tracks in the same places, such as both tracks of the mandolin XY panned to -30. Would I be losing some of the advantages of stereo recording that way? Should I pan the lead instruments out wider and occupy this extra space with wider panned stereo recorded tracks? Should I use stereo tracks for just the solos and not for backing other solos?
Any comments are greatly appreciated.
My original thought is to record the rhythm section instruments, bass and guitar in mono and the lead instruments in stereo.
The real question I have is mixing strategies for mono and stereo recorded instruments. I've become decent at recording mono tracks in a way to fit with each other with minimum EQ. In the past, one typical way I've paned these mono instruments is banjo -60, mandolin -30, bass 0 (center), guitar +30, fiddle 60. I'll sometimes bring a lead into the center depending on what this does to the rest of the mix. This seems to give a decent balance where everything can be heard. When I pan things wider, it loses some of the "ensemble" sound I want.
I suppose I could mix the stereo tracks in the same places, such as both tracks of the mandolin XY panned to -30. Would I be losing some of the advantages of stereo recording that way? Should I pan the lead instruments out wider and occupy this extra space with wider panned stereo recorded tracks? Should I use stereo tracks for just the solos and not for backing other solos?
Any comments are greatly appreciated.