Is this mastering???

P

pappy999

New member
I took a PT session that I am mixing and bounced it to a 24bit master. I then pushed the 24 bit master up 2.8db. At this level the kick and sometimes snare were clipping. I then went into my wave editor and carefully applied negative gain to the clipping tracks only in the spots that clipped. I did this with the track totally stretched out to be careful not to lower the volume in a large spot.

The result was a non-clipping track that was 2.8 db louder than the old one with no noticable loss in kick or snare volume.

Is what I did a waste of time or am I on to something?
 
pappy999 said:
I took a PT session that I am mixing and bounced it to a 24bit master. I then pushed the 24 bit master up 2.8db. At this level the kick and sometimes snare were clipping. I then went into my wave editor and carefully applied negative gain to the clipping tracks only in the spots that clipped. I did this with the track totally stretched out to be careful not to lower the volume in a large spot.

The result was a non-clipping track that was 2.8 db louder than the old one with no noticable loss in kick or snare volume.

Is what I did a waste of time or am I on to something?
Click to expand...

Don't let my last post piss ya off... Just kiddin...

As far as what you did... I'm thinking you could have used a compressor with more impressive results... It kinda works on the same principal...... But, ultimately, your audio was clipped... Which is a no-no... (Someone flame me if i'm wrong..)
 
peritus said:
But, ultimately, your audio was clipped... Which is a no-no... (Someone flame me if i'm wrong..)
Click to expand...

pappy999 did say that the corrective action was applied to the *tracks* in question. Not sure if that implies the tracks were then rebounced to a master.

If only the 24 bit master (post bounce) was edited then yes - one would have a clipped signal incorporated in the master, which is bad.
 
dinorocker said:
pappy999 did say that the corrective action was applied to the *tracks* in question. Not sure if that implies the tracks were then rebounced to a master.

If only the 24 bit master (post bounce) was edited then yes - one would have a clipped signal incorporated in the master, which is bad.
Click to expand...

Agreed... Thanks for the clarity...
 
Is manipulating volume ever a part of the mastering process? For example:
Bringing the volume up on a guitar break.
 
pappy999 said:
Is manipulating volume ever a part of the mastering process? For example:
Bringing the volume up on a guitar break.
Click to expand...

I'd say that would define mixing more than mastering. Mastering in general does not deal with individual tracks/components, but with the sound of the entire song.
 
pappy999 said:
Is manipulating volume ever a part of the mastering process? For example:
Bringing the volume up on a guitar break.
Click to expand...

I'm thinking that would be more on the mixing side of things...

For an blatant example of what you are saying, listen to Live - Lightning Crashes.... BIIIIG dip in volume on the whole track... It's used to add dramatic contrast... I'm guessin' that anyway... Works for me... Kinda tacky though...
 
peritus said:
I'm thinking that would be more on the mixing side of things...

For an blatant example of what you are saying, listen to Live - Lightning Crashes.... BIIIIG dip in volume on the whole track... It's used to add dramatic contrast... I'm guessin' that anyway... Works for me... Kinda tacky though...
Click to expand...

Check it...
 
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