Here's a rundown on this track.
The guitars are mic'd with a good old trusty SM57, through a M-Audio DMP-3 preamp, and hard-panned left and right. Guitar itself is a Martin 000-15m, which has probably become my favorite guitar that I've ever owned. The vocals went through a Samson C01 condenser, which sounds great to me for the $50 or so I paid new, and the DMP-3. I doubled them, and during mixing I added a little compression with a FMR Audio Really Nice Compressor and then a liberal dose of reverb through a TC Electronic M101 Multieffects box (which is a nice deal for $99). The bass is my trusty Hofner Ignition Violin Bass through a cheapo Behringer DI box that is a knockoff of one of the Tech 21 boxes, I believe.
Now for the twist, if you will - the drums are...EZDrummer 2. I sent them out of my Scarlett 2i2 interface through the headphone out onto track 1 of the 488, and that's about it, other than cranking the highs on the 488 during mixing so as to grab at least some of the high end/hi-hat/cymbals. Somehow, putting EZDrummer on tape (even narrow tape like a cassette) made it sit much better in the mix than in ANY of my digital recordings. I admit I may be imagining that, but I do believe it to be true.
My 488 was completely refurbished recently, and I used a nice NOS TDK SA-60 Type II, High Bias tape. I did all of the mixing on the 488, using the onboard EQ, as well as my compressor and reverb unit, and then bounced that mix back into my computer, where I used Ozone 7 Elements, a mastering VST, to add a little sparkle.