Horch House To Develop World’s Only Current Reel-to-Reel Tape Deck

LToro

New member
This is exciting !!!

Horch House To Develop World?s Only Current Reel-to-Reel Tape Deck | Hifi Pig

As audiophiles and music lovers around the world continue to debate whether hi-res digital actually makes an appreciable difference, one thing remains clear: the analogue resurgence is going from strength to strength. Vinyl sales are now growing faster than any other format and turntable sales shot through the roof in 2015.

Austria-based Horch House say it is excited to announce the initiation of ‘PROJECT R2R’: the development of the world’s only brand new reel-to-reel tape deck.
Launched in 2012, the Horch House brand has already developed a reputation for capturing the magic of original analogue master tapes and delivering faithful (and fully licensed and approved) copies on reel-to-reel tape, vinyl records and in various digital formats. Now, the company is also turning its attention to bringing the once essential reel-to-reel deck from its current vintage status back to centre stage.
In developing their processes for creating high quality copies of original analogue master tapes, Horch House’s team of sound engineers undertook meticulous research and development, calling in input from some of the world’s leading specialists (think of folks whose client lists include Sir Paul McCartney, Sony and Abbey Road Studios and you get a sense of the level of know-how involved).
This same high level of input will be applied to PROJECT R2R. The aim? “To achieve the best sound quality, bar none,” says Horch House’s joint owner and project leader, Volker Lange, whose excitement about the project is palpable. “My passion for audiophile tape machines goes way, way back,” he explains. “This will be the realisation of a lifelong ambition. And it’s an absolute honour and privilege to be working with a team of this calibre”.
In fact the team is already hard at work and hopes to be in a position to show a prototype of the new deck at Munich’s High-End Show this coming May.
Reel-to-reel tape recorders and players have been around for a long time, with the earliest models emerging in the late 1800s. Their popularity surged in the 1940s and 1950s, when the process of manufacturing magnetic tape was more or less perfected; from then until fairly recently in the history of audio recording, they were the music industry standard for making master recordings. From the 1950s until as late as the early 1980s, reel-to-reel tape decks were a big part, if not the centrepiece, of most home entertainment setups. But then the 1980s saw a rapid advancement in portable tape recording and playing, as well the advent of digital recording and playback, and so the reel-to-reel deck became a ‘vintage’ item, much like the humble vinyl record.
Fast forward to 2016 and there is currently no company in the world that manufactures reel-to-reel decks, whether consumer or studio machines. Meanwhile, the resale market of vintage machines is seeing strong and steady growth.
There is a small but growing handful of audio companies who are currently working to reissue original analogue recordings on reel-to-reel tape, among which Horch House is one.
“Our current catalogue is just the beginning,” says music producer Thilo Berg, joint owner of Horch House alongside Lange. “I’m keen to speak to any and every music publisher in the business with a view to delivering the widest possible portfolio of high quality analogue master tape copies to as many people as we can”.
 
Keep in mind one thing...they are talking about manufacturing of "audiophile tape machines"...
...basically that means they will be VERY expensive, and it's being done primarily to facilitate the sale of their music tape catalog.

If they ever actually put one out on the retail market...I don't expect anyone here will be using it for home-rec.
Not to mention, they are most likely only going to make 2-track decks, when in fact, what the home-rec and even pro-rec studios need are multitrack decks first as those truly are vanishing and the used resale market isn't booming.
 
Even so, I'm interested to see what happens with this.
Between this, Technics relaunching the 1200 deck, Kodak unveiling a Super 8 camera at CES and various ARP and Oberheim goodies being made, it's starting to look like 1976 again. (Or so I assume, I don't remember any of it)
 
The one thing I see as a plus here is that may drive up the demand for 1/4" tape and get more made.
Other than that I'm not sure how it helps the home recordist either.

As Miro said they will be expensive. I'm not sure they can perform any better than a last generation 1/4" 2 track pro machine as they were pretty much at the limits of physics in their performance back then.

But it will be nice for the audiophiles who can afford one and the comfort of warrantees and factory repair support.
 
Is this in any connected with Revox? I want to say that I remember someone posting something last year regarding them possibly bringing back one of their machines. As far as I can remember, Otari still sells the MX5050 2-track as well, don't they? Anyway this is still good news, a good start, and who knows...maybe the answer to "Will Analog Multitracks Ever Be Made Again?" will be YES. :)



Even so, I'm interested to see what happens with this.
Between this, Technics relaunching the 1200 deck, Kodak unveiling a Super 8 camera at CES and various ARP and Oberheim goodies being made, it's starting to look like 1976 again. (Or so I assume, I don't remember any of it)

1976 is about a decade before my time, and I'm still nostalgic for it. :D Kodak's new super 8 camera has got me so very excited. In other good news, their film business broke even in 2015 and is expected to turn a profit this year. Considering Kodak has focused on cheap consumer-grade cameras for the last 50 years or so, this seems to be a surprisingly well-thought-out machine with many features that are rare on most super 8 cameras. We'll have to see how well it goes, but this could be a great model for how to reintroduce outdated technology, and it's going to cost half what I thought it might. The thing is, Kodak has a ton of infrastructure already in place to see this through, and I think their new processing and scanning offerings make all the difference. The fact that they make all the film and chemicals themselves means that they can set the most competitive prices, and the main goal behind releasing the new camera is to encourage people so buy super 8 film.

Unfortunately the tape industry isn't in quite the same spot as the photographic film industry. Everyone talks about analog coming back, but they all talk about the vinyl resurgence--no one that I've talked to even really cares what source those records are cut from. It's RMGI and ATR that should have the most interest in manufacturing tape machines, but they do not have the resources that Kodak does sadly. It's sort of baffling how film, with a relatively short shelf life, the reliance on chemicals produced by few companies (in some cases only one) and a relatively large infrastructure, has held on so well. Tape seems to be inherently more stable as far as that goes, considering a sealed reel of tape performs just as well whether it's 2 or 52 years old. Maybe the hoarding and less reliance on the infrastructure has been what's allowed it to slip away.
 
Back
Top