I try to post as much as I can here, but questions come up in other forums and I try not to push other forums here, but I'll make an exception this one time. These are some of the other forums I hang out at:
http://recpit.prosoundweb.com
I have my own forum there, and we do a lot of similar microphone discussions. Here's one such question, and one of the responses it received:
Post subject: E.V. RE-20 / Sp C-1
Hello ,
We are curently using a SP C-1 and are thinking of adding a E.V. RE-20 as one has come available to us for a nice price, it would be used for studio only, Mostly Rock male vocal, would this mic give us a different color and what other differences could be expected? if its too close to the C-1 ill take a pass on it..Thank you.
Bostonfan2
This was one of the responses:
I also like the RE20 for voice over. It has served me well on some vocal sessions though!
The RE20 is always one of those mics you should have in your locker.
_________________
Alan Hyatt
PMI Audio Group
Gotta love it!!!
http://www.recording.org/cgi-local/ubb/ultimatebb.cgi
I originally ran a forum there, but now I mainly hang out lurking on Stephen Paul's forum, or co-chairing a forum with Alan Hyatt, Brent Casey, and Malcolm Toft.
http://acapella.harmony-central.com/forums/forumdisplay.php?s=&forumid=14
Harmony Central has some good people answering questions there, and I'll post there from time to time on subjects where I feel I can help.
http://www.musicgearnetwork.com/cgi-bin/ultimatebb.cgi
I primarily hang out at George Massenburg's forum, and sometimes it's a fascinating glimpse into the world of high dollar studios, but it has its share of very useful information and occasional amazing insights from George himself.
http://gearslutz.com/board/index.php3?
Gearslutz is another good forum where I mainly just lurk.
In general, I find that any forum that has posts from Fletcher, Bob Olhsson, or Mixerman is worth while investigating.
And of course, rec.audio.pro is where you'll always find me. For a recording engineer (at any point in his career), it remains the single most valuable net resource in the world, IMHO.
The rec.audio.pro CD compilation sets are a great tool for beginning recordists. You can actually listen to a track from people like George Massenburg, while you read his notes on the mics used, placements, and reasons for his choices.
This year, the 5 disc rec.audio.pro CD compilation set has cuts from Karl Winkler (Neumann), Mixerman, Fletcher, and a host of r.a.p. regulars, about 100 contributors. The liner notes alone will run 70 plus pages. One of the great recording bargains of the century. Almost every genre of music is represented on those discs.
Anyway, those are the other places I either lurk at, or contribute to. All of them have some things I find of value.