There are as many answers to your question as there are posters on this board. The real answer is- any relatively well-matched pair of small diaphragm condensers. For the choir, large diaphragms would work fine, too. In fact, there are quite a few folks who use large diaphragm mics for drum overheads, but it would be fair to say that they are the minority.
The bottom line is- it depends on your budget, and the rest of your signal chain. It doesn't make sense to put a diamond brooch on a tee shirt, or to plug a pair of Schoeps CM6's into a $100 cassette deck. That said, these are my best suggestions:
The Naiants wouldn't be my first choice unless your garage sounds pretty damn good- just because they are omnis. I would choose a pair of cardioid mics in coincedent (X-Y) configuration, facing down from above, with the choir in a circle, and start backing off the loudest singers a step or two at a time until the balance is right. I wouldn't choose the Behringers just because I hate them (not Behringer- the B-2's). They appear to be bad knockoffs of
the Studio Projects C-4's, and may even be made in the same factory, but I much prefer the C-4's, and they would be one of my first choices for your application. Based on the mics you listed above, I would guess that your budget is very limited, so I think I won't recommend Schoeps, Neumann, Josephson,Earthworks, etc. I'd say get a pair of Marshall Electronics MXL604's ($200)and go play. If you have a little more money, I would recommend the Studio Projects C-4's ($350) or Rode NT5's ($429).
In the end, you get what you pay for. The most expensive mic is not always the right one, but the cheapest possible mic usually sucks. Best of luck.-Richie