Blue Jinn
Rider of the ARPocalypse
Hello,
I've never done this before.
Recording a fairly large (100 or so) choir. I also don't have the right set if mics, but am acquiring enough parts to build a bunch of fairly basic but useful tube mics (U47 type circuit) which will be done in time.
I can't facilitate overhead sdc's so thought Blumlein pair, 1/3 to 1/2 the room back.
Here is the technical question:
The K67 (knock offs...) have a significant hf boost. However, for this purpose, recording at a distance, it would seem to be advantageous to have that HF boost? (Although for a childrens' choir that may not be as much of an issue.)
Am I totally missing something? (Or should I invest in a pair of ribbons?)
I've never done this before.
Recording a fairly large (100 or so) choir. I also don't have the right set if mics, but am acquiring enough parts to build a bunch of fairly basic but useful tube mics (U47 type circuit) which will be done in time.
I can't facilitate overhead sdc's so thought Blumlein pair, 1/3 to 1/2 the room back.
Here is the technical question:
The K67 (knock offs...) have a significant hf boost. However, for this purpose, recording at a distance, it would seem to be advantageous to have that HF boost? (Although for a childrens' choir that may not be as much of an issue.)
Am I totally missing something? (Or should I invest in a pair of ribbons?)