Well, volumes could be written on getting a good kick drum sound not to mentioned there is an almost infinite variety of kick drum sounds to be considered good & there are a million little things that can be wrong & screw it up even if everything else is right. Everything mentioned so far is good advise. 2 things you must have from the start though is a decently adjusted/tuned kick drum & a mic that can capture it. The kick mics already mentioned will suffice. After that it's all technique.
In the category of properly tuned kick drum I'm including all things & options that go into that to get the sound you're looking for such as head tension front & beater head, hole in front head, no hole in front head, no front head, Size & constituency of beater, Beater surface on beater head (how much padding or not), How much damping in kick drum & of heads, etc......
Then you have mic placement not only of the kick drum mic but all other mics on the set affecting the final sound in the mix because often there will be bleed of the kick into the other mics & it can occasionally be loud enough & out of phase enough with the kick miced sound to cancel the kick considerably. This can be compensated for generally by reversing the kick track phase &/or adjusting a proper time offset of the kick track relative to the other drum tracks in the editing software.
Their are just so many factors from equipment to setup & technique that it's best for you to state exactly what mic's your using & your complete drum kit micing setup, then describe the result your getting & the result you want & someone would have a better chance of zeroing in on what will get you there from where you're at.