well, for me it often depends on how many other instruments i'm recording at the same time as the drums. i'm limited to 10 inputs at the moment, so if it's a band (assuming 2x guitars, bass, vox), i'm limited to 4-6 tracks of drums. this usually works fine for the most part.
but if i'm laying down drums to pre-recorded tracks (scratch tracks, etc), i'll use all 10 (and could use another 8 for close mics).
Kick: EV RE38 (similar to an RE20) in close to resonant head
MXL V77 back a little bit from resonant head under tunnel
Sennheiser e835 or shure 545 (on beater side of batter head--and only sometimes)
Snare: Sennheiser e609 and MXL 603, above rim (where you'd typically put an sm57), diaphragms as close together as possible. when using a 545 instead of the 609, i tape the two mics together.
OH: I don't have a "pair" of anything other than the MXL603's....and i don't like them on OH. Lately i've been using a non-matched pair of mics, or a mono OH.
Ride Side: BLUE Dragonfly (a little brighter sounding--helps pick up the ride)
HiHat Side: MXL V67 (darker and cuts back on the hat)
If mono: V67 or V77, about a foot above the drummer's head.
That's 7 tracks. I don't have enough inputs to close-mic my toms (10, 12, 13, 14 and 16in) and have them recorded to separate tracks--i'd have to bus them at the mixer and send out a stereo mix--which although not a horrible idea, is a little less flexible tham i'd otherwise like to be.
Often i'll put in a mono "front of kit" mic too. What that is depends on what I haven't used and what sounds good. Could be the Dragonfly, or an SP B1 or the V77 or V67 or even an sm57. Usually it's compressed all to hell in the mix.
I've been in the process of rehanging all the mics for my drums--i've had them down to record some acoustic guitars and vocals lately. i'll try to finish up tonight and post a pic or two if anyone's interested.
cheers,
wade