Good points. :)
I guess I was assuming (I know, never do that) that the OP comes from "Tape" days and might not have been aware that other options exist. That's the only reason I said "You shouldn't need a foot switch". But, if it's the most comfortable way to work, by all means go for it. :)
You shouldn't need a foot switch. Look into the punch-in function in REAPER. You can set a pre-roll for as long as you want so that yuou can hit "RECORD" and have all the time you need to get ready.
Briam, you can probably "grab" the left hand side (Right around where you see those little "+" and "-" symbols).
Move your mouse around until it turns into a little hand, and then drag to the right.
It just must have got hidden somehow.
Yeah, I speak fluent French because I grew up and still live in Montreal.
But Spanish...I once took a course with a book and a cassette. But, like you say, it's not conversational. You don't learn anything useful.
I didn't find myself in many situations where "I have a pencil. My pencil is...
I swear I'm having a deja vu. I could have sworn you started this thread about a month ago. Must have been someone else.
Anyway, I bought a "Les Paul" off them about 2 years ago. Came as advertised, nothing damaged, got it within a week of ordering.
No complaints here.
Yeah, I didn't mention how squashed it is because that has nothing to do with your mix. The brick wall limiting shouldn't even be part of this conversation because that's not you're doing, and it's not what you were asking about.
I find it ironic that the guy that called your mix a "typical...
I expected it sound a lot worse than that!!! This happens all the time. I read comments and expect something to be way worse (or way better) than it is based on the OP's comments, and/or other people's comments.
Don't forget, people are just people. Just because this "mastering engineer" said...