Hi There Eveyone,
I am a relative migrant from Samplitude of around 9 months and I am so pleased that I made the switch from many perspectives.
In my time with Reaper I have tried doing my own final EQ to using Ozone 9. I try and eq and fx each track as I go along.
I Create Backing tracks with a couple of Arranger Keyboards and A couple of midi keyboards using mainly Native Instruments, Spitfire and Waves VST/i. Plus Electric, Acoustic, Semi Acoustic Guitars and a couple of Ukulele's and occasional Harmonicas.
Currently my method of delivery of the Backing tracks is sadly via an iPad which I wish that I had never started with. But the software for gigging with is a blessing but the iPad certainly is not.
I play guitar and ukulele for the gigs and sing sometimes solo but mainly as a Duo. all of which gets fed into a Zoom R16 as a mixer and out to a PA.
It is the recording and final mix that I have never been really happy with because I have never reached (with a set of Sennheiser HD206 Headphones) at least got those levely depths that come with DVD Video nor the beautiful clear highs. Yet I do get them in the Reaper recordings. I know that I am never going to get the same but some way toward would be good. It seems like the MP3 Mix needs special attention within the Master mix because the depth dissappears and the beautiful clear highs but a hi Yuk.
I am not averse to spending a little money but I am not rich lol.
My normal setting for the Reaper mp3 Render is as follows.
Master Mix
Bounds=Entire Project
Tail=1000ms
Sample Rate 48k
Stereo
Full Speed Offline
Resample Mode R8Brain
Format MP3 (encode by Lame Project)
Mode CBR
Maximum q=0
Bitrate 320 kbps
Lame 3.99.5
Render 1 File.
Anything not mentioned is not set.
If you need any further information Please ask.
Any help will be very much appreciated.
I am probably overlooking things through ignorance etc. but I would like to learn.
YouTube Video's come out great with a .wav input.
Many thanks and best regards from me,
Barry.
I am a relative migrant from Samplitude of around 9 months and I am so pleased that I made the switch from many perspectives.
In my time with Reaper I have tried doing my own final EQ to using Ozone 9. I try and eq and fx each track as I go along.
I Create Backing tracks with a couple of Arranger Keyboards and A couple of midi keyboards using mainly Native Instruments, Spitfire and Waves VST/i. Plus Electric, Acoustic, Semi Acoustic Guitars and a couple of Ukulele's and occasional Harmonicas.
Currently my method of delivery of the Backing tracks is sadly via an iPad which I wish that I had never started with. But the software for gigging with is a blessing but the iPad certainly is not.
I play guitar and ukulele for the gigs and sing sometimes solo but mainly as a Duo. all of which gets fed into a Zoom R16 as a mixer and out to a PA.
It is the recording and final mix that I have never been really happy with because I have never reached (with a set of Sennheiser HD206 Headphones) at least got those levely depths that come with DVD Video nor the beautiful clear highs. Yet I do get them in the Reaper recordings. I know that I am never going to get the same but some way toward would be good. It seems like the MP3 Mix needs special attention within the Master mix because the depth dissappears and the beautiful clear highs but a hi Yuk.
I am not averse to spending a little money but I am not rich lol.
My normal setting for the Reaper mp3 Render is as follows.
Master Mix
Bounds=Entire Project
Tail=1000ms
Sample Rate 48k
Stereo
Full Speed Offline
Resample Mode R8Brain
Format MP3 (encode by Lame Project)
Mode CBR
Maximum q=0
Bitrate 320 kbps
Lame 3.99.5
Render 1 File.
Anything not mentioned is not set.
If you need any further information Please ask.
Any help will be very much appreciated.
I am probably overlooking things through ignorance etc. but I would like to learn.
YouTube Video's come out great with a .wav input.
Many thanks and best regards from me,
Barry.
