Mo Facta
Farts of Nature
Hi Chris,
Some time ago I read in a Sound on Sound article that you prefer using a Sony 3348 48-track open reel digital recorder to Pro Tools, citing this reason:
Is this still your opinion and do you still work this way? The article in question was from 2007, which is why I ask.
I guess my question is, are you the type of guy who sticks unwaveringly to what works, or are you open to evolving as technology changes?
Thanks for your time.
Cheers
Some time ago I read in a Sound on Sound article that you prefer using a Sony 3348 48-track open reel digital recorder to Pro Tools, citing this reason:
Chris Lord Alge said:I still prefer the open-reel format, sonically, in terms of vibe, in terms of having something stable, and it gives me a definite number of tracks to end up with. These days many songs come in as Pro Tools files consisting of well over 100 tracks, and you can have issues when loading such a file because of tracks that are spread far and wide. With 48-track digital tape there's nothing hidden and you know everything is there. And there are no real compromises in comping down to 48-track, or, as is more often the case, 44. You actually end up being more creative because you're making a lot of your magic happen in your comps. If you look back at Sgt Pepper's, everything was comped, four tracks on four tracks. In most early records it was all about submixing, and about mixing from the word go.
Is this still your opinion and do you still work this way? The article in question was from 2007, which is why I ask.
I guess my question is, are you the type of guy who sticks unwaveringly to what works, or are you open to evolving as technology changes?
Thanks for your time.
Cheers