![]() | ![]() |
|
#1
|
||||
|
||||
|
Rule of thumb?
How high should overheads be for a large drumset? I have like 6 cymbals I have to pick up. Advise is welcome.
|
|
#2
|
||||
|
||||
|
6 cymbals! that is pretty silly.
distance will depend on the room and the pick-up pattern of the mic, as well as what sort of sound you are going for. but, as a rule of thumb, i start out about 6-7 feet up...
__________________
very truly yours, hugs and kisses, george. |
|
#3
|
|||
|
|||
|
Quote:
|
|
#4
|
||||
|
||||
|
6 or 7 feet!
I'd say a foot or two depending on how many mics you have on toms. |
|
#5
|
||||
|
||||
|
Quote:
I like my overheads to be approximately 6' from the floor....which puts them about 24" above the cymbals. Tim |
|
#6
|
||||
|
||||
|
I don't understand how 6 cymbals can be silly. I recorded a drummer the other day that had the best cymbal setup I've heard so far; he used 9 cymbals that were:
All Zildjian 1.- KZ Dyno Beat 13" hats 2.- 8" K custom dark splash 3.- 10" K splash 4.- 14" A custom fast crash 5.- 16" K custom dark crash 6.- 17" K custom fast crash 7.- 22" K heavy ride 8 & 9.- 17" and 19" K china one on top of the other back to back. I picked them all up using 2 ECM 8000 each about 7 feet in the air, each on one side of the kit, each the same distance from the snare. All in an open space (no sound reflections anywhere, I used my back yard and really long mic cables) and enhanced the drum sound by adding an SM 57 on the snare and a PG-52 on the kick. Carlos |
|
#7
|
||||
|
||||
|
I played around with it. Found a sweet spot about 2.5 feet above the cymbal level. Thanks for all your inputs.
I got.....heinz 57 14" Sabian B8 high hats 10" wuhan splash 12" wuhan splash 14" Sabian max stage crash 16" Zildjian fast crash 20" Sabian max stage ping ride |
|
#8
|
||||
|
||||
|
Ear Level or higher?
I have gotten very good results with two omni's facing forward on either side of the drummer's head about ear level. This gives you something similar to what the drummer hears.
Add a little bit of close miked kick and snare panned center and you have a very natural kit sound. Dom ![]() |
|
#9
|
||||
|
||||
|
another rule of thumb - there are many
measure exactly three stick lengths from the 'impact zone' of your snare to each OH, that's a good way to minimise phasing problems as well |
|
#10
|
||||
|
||||
|
Quote:
|
|
#11
|
|||
|
|||
|
I thought that the first rule of thumb is, that there are no rules? lol
|
|
#12
|
|||
|
|||
|
Re: Ear Level or higher?
Quote:
Wayne
__________________
Monitoring at CathouseSound AetherAudio 'Continuum A.D. and TimePiece 'Mini (formerly S.P. Technology |
|
#13
|
||||
|
||||
|
I've actually been taking mine waaaayyy down, lately. Almost parallel with the toms, and away from the cymbals as much as possible.
Getting a lot more drums now, and less cymbal. Much better that way. |
|
#14
|
|||
|
|||
|
ChessRock
I'm just about floor tom height on one side and a bit lower on the hat side. And, looking from above, I have the pair rotated CCW* slightly -helps center the kick-snare (and away from that PITA hat ) You're going lower that that? The other thing I like about this is, more meat (dry and tight) and the mics isolate nicely down in the gobo partions. Maybe someday I ought to try micing the toms. Nah. * That's 'anti-clockwise' in metric. ![]()
__________________
Monitoring at CathouseSound AetherAudio 'Continuum A.D. and TimePiece 'Mini (formerly S.P. Technology |
|
#15
|
||||
|
||||
|
try overheads the way Mike Hedges described in "Behind The Glass" as the "Glyn Johns way"....2 overheads, both 2 1/2 sticks length from the snare, the 1st over the floor tom looking toward the snare and the 2nd directly over the center of the snare, then adjust for phase.....
|
|
#16
|
|||
|
|||
|
Quote:
|
|
#17
|
|||
|
|||
|
Quote:
|
|
#18
|
||||
|
||||
|
Quote:
not saying it is bad... just excessive. if that is what your music is about... then go for it.
__________________
very truly yours, hugs and kisses, george. |
|
#19
|
||||
|
||||
|
With the type of music we play, I use different combinations of cymbals. It demands a lot from me. If I could, I would use just hi hats and a ride. BUT.... Its not that simple. Six cymbals is not that excessive. My drumming heros (the people I have watched to learn my style from) use any where from 8-28 cymbals.
|
![]() |
| Currently Active Users Viewing This Thread: 1 (0 members and 1 guests) | |
| Thread Tools | |
| Display Modes | |
|
|