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#1
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Focusrite VcoiceMasterPro
The store just called me, they received my unit! I'll get it tonight around 6hPM..and I have a 3h jam session vith my band. So i'll be back in the studio around 9h30...........aaaagrrrrrrrrrrr cant wait anymore!heeeeeeehehuhuohu
uh. Ok thats all. sorry. see ya |
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#2
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You will be very happy with the unit. However, start with all the modules switched out and work with the pre amp first. Then move on to the next module and so on. It is a complicated unit with some killer sounds. But,you will not be happy if you tear the box open and twiddle knobs in a hurry.
Just warning ya..................Take your time before judging this unit. |
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#3
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The preamp The latency section The expander The compressor Tube warmth Vintage section The compressor is really more effective on instruments and not so much on vocals in my experience. The preamp followed by the RNC is a thing of beauty. |
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#4
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I agree with Middleman. This unit has modules that shine depending on what you are recording. Learn each module with different sources. Some modules do great with vocals. Some do great with synths. You do not have to use every module with every source! This unit is very powerfull. I find with each source that I am recording new configurations. It will take time to really understand how to use this unit. I think this unit is going to go down in history as one of the greats.
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#5
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hey guys, any of you have tried the VoiceMasterPro on a snare? Kick?
What were the results? |
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#6
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Kryogh,
I use my voicemaster pro almost all the time for snare. The expander gives exceptional issolation, and the rest of the unit (tube, eq, vintage, etc.) gives a huge amount of flexibility for getting just the right sound. If I had two (hmm . . .) I would definitely use it for the kick as well (I currently use a grace 101 for this). |
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#7
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#8
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I finally got around to using the Vocalmaster Pro on drums. I have been trying very hard to get the drums right. I have an AlesisDM5 drum module. The sounds are great but it never really sounds like a real drummer. So, this weekend I decided to try using a great MIDI track of a Rush song. I recorded each individual drum part through the voicmaster. It took some time to get every part sounding great. In the end, the whole drumpart (13 tracks!) sounded unreal. My Ddrummer was amazed. He has heard this drum module many times. The Voicemaster made the drums sound so real. I now have my answer. It does an amazing job.
To give credit where it is due, the MIDI programmer did an amazing job also. I am very happy and think that the Focusrite is worth its weight in gold. Before everybody jumps in, I have an RNP. It does not do for drums what the Focusrite does. Not even close... |
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#9
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#10
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Drums are arduous, at best, in a digital world.
I have wanted to rant and rave about the VMPro for months because frankly, I think it is one of the best preamp and channel tools, $500-$600 range, in the market place. But the proponents of the RNPs are many and tend to drowned out the rest of the options available. The only exception to this would be the Envoice which I have not used but hear great things about. Not that the RNP is not an effective preamp, its just not as versatile as the VMPRO. |
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#11
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#12
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#13
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hey good idea. I also own a DM% and I often trig some kick drums for metal bands. But I have a LOT of EQ to do to make it sounds real. NExt time, I'll record the trigged kick via the Focusrite VMPro.
Thx! |
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#14
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#15
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#16
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I am not familiar with past products. I really just record for myself now. I am not flaming anyone. I have a fairly high end studio and maybe my opinions are based on what equipment I have. I have recorded and played pro for many years. I am not an equipment freak. The thing that gets me is that so many people post that this pre is sooo much better than that pre because the BBS says so. I just buy what solves my problems. If an ART pre would solve my problem, so be it. I have used the FR now for a couple of weeks and treaded the same old ground. I find that it solves my problems. Hey, that's all I know. The FR is a really good piece of gear. People are paying all sorts of money for old DBX stuff that I helped design. I think the old stuff is rubbish and never worked as intended. People found out years later that this old stuff is "great". Who do you listen to, one who helped design it, or the hundreds of posts of people who love it?
I do not know the answer. I am only posting my experience. If it is of value to someone, then I am happy. |
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#17
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Ok, if we are going to get controversial, let's just sling some mud.
There are 3 great myths on this board. 1. The VTB-1 2. The C1 3. The RNP None of these products are still in my arsenal. Bought em, tried em, and two of the three left me cold. Not extremely versatile across 20 songs I have recorded. In and of themselves they work fine for certain things, the RNP being probably the best and most versatile and quality sounding. If I had $500 and it was between the RNP and the VMPro, well Focusrite gets my money on this one. Come on, I'm ready, take a swing. |
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#18
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Are you ready for a swing? Good. I am in agreement with you.
I really like the FR. I think that the RNP is good. It is a good Mic pre. The FR is a better Micpre. So, the real question at the table is the FR worth the money compared to the RNP? The FR has many more modules than the RNP. It is different. I only say that if you are comparing the two for what they are, the FR has a better MIC PRE. The rest makes up the difference in the money. This BBS has so many people that listen to the masses going on an on about the RNP. It is almost a constant about what mic-pre should be bought. The RNP is good. Not great like so many glow about. It's cost justifys the unit. It flat out blows away something like the Blue Tube. I have both units and slowly reach for the FR time and time again. It is a great unit. It boils down to this, if you tried the FR in your studio instead of at the store and really got used to it, most people would probably love it. |
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#19
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#20
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But, I'm still trying to figure out if we're talking about 2 different things. The ones I've tried are brutal. You may have tried a different (newer) design. I can't find anything on Focusrite's website about it. Does anyone know the official Focusrite stance on the differences between the old line and the newer "pro" line? Do you find yours fairly noisy? |
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#21
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Maybe you used a defective unit? (BTW, if you want to talk about noise, look into the lower end Joe Meek units.) |
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#22
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#23
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well, the one I just got I not noisy at all. This is the first thing I treid to detect when I plugged it.
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#24
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jslator,
I don't know if the pre is of a different design, but there have been changes to make the unit more quiet (and they succeeded with this, it is very quiet). The voisemaster pro is the first focusrite product I have had a listen to, and the pre is very good. When I got it, I wasn't buying it solely for the pre, I figured I could just use my grace 101 and bypass the FR pree if I had to for voice stuff. I have been very pleasently suprised with just how good the pre really is. For the last number of vocal recordings I've done most have prefered the Focusrite pre over the grace 101 (the FR is a little darker and a little more forgiving)and is a great match for my nt1000 . I have heard negitive stuff about the platnum range, but not about the voicemaster pro from people that have tried them. I would be interested to know if the pre is the same, because I would buy a used penta or trackmaster just for the pre. |
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#25
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