check this plan for my booth

[charoo]

I am working on my booth, i have tried something to drawn, is it make any sense, what more we can added, i think it needs to be more updated.

luv
charoo

[Rochey]

Charoo, this is a point more closesly related to the control room in your design...

Why are the speakers smaller in the wall than they are on the desk.

Nearfield speakers are smaller than mid-field speakers. Nearfield speakers are normally on the desk, or the closest speakers to the engineer.

The larger Mid-Field speakers should be the one's on the wall....

Also, in the booth, you may want to add some variable panel absorbers. (http://www.saecollege.de/reference_m...requencies.htm)

They are pretty effective, and can change the nature of the booth (from a very live room, to a dead one) very quickly....

Good luck

R

[charoo]

well rochey that was just a drawing mistake with monitoring system, making variable panel observers, i think a bit harder, well working on that only and try to learn it as soon as possible, I have one very important question i.e. how can i make my booths angled without doing whole floated wall or acoustic treatment 12 degree angled, is there any way? In rhythem room, i have to treat low frequency hun? in melody room high should be taken care? vocal booth, i am still not getting what atmoshphere needed
waiting for your input with same.


luv
charoo

[laptoppop]

Actually, it depends on how you are going to acoustically treat the booths. The reason for angling the walls is to avoid reflections from one wall to another and back directly. However, if you treat the walls such that the room is pretty dead acoustically, it won't have much in the way of reflections even if the walls are parallel.

Given the small space, you may want to just make them quite dead -- cover the walls with 4" of Knauf fiberglass board or 703 or whatever it is in your area, and add bass traps in the corners and add all the reverb/reflections/live sound in your mix. That way, you don't have to worry about the parallel walls at all.

-lee-