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#1
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(physically) thin acoustic guitars
hey guys. I want you opinion on this. I am recording a guy who has this thin guitar that has a particular sound. You hear a lot of "nails" in it, if you know what I mean, the kind of flamenco sound.
Anyways, without getting another more suitable acoustic (ajá, got you on that!), what's a good miking technique for making it more standard sounding and fuller? Specially the attack of it is very loud, and it cuts too much on the mix, how can I reduce that? Cheers and TIA, Andrés
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"A woman in a bicycle, with a straw hat, is the most flagrant violation of the laws of aerodynamics." (Dr. Vaporeso) |
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#2
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Try some fast attacking compression.
That might cure that big attack... As for miking techniques, you definately want to stay somewhat away from this guys fingers..
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"Health nuts are going to feel stupid someday, lying in the hospital, dying of nothing."
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#3
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Maybe a large diaphram condensor. Experiment to see how close you can get to the sound hole without woofing out the mic.
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Mike |
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#4
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Woof, Woof, Bark, Bark
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"Health nuts are going to feel stupid someday, lying in the hospital, dying of nothing."
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#5
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thanks for the suggestions. I always have problems with acoustic guitars and lows, always had to use a hipass or something. I always think I could do much better with wiser mic positioning, but I have to imporve that.
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"A woman in a bicycle, with a straw hat, is the most flagrant violation of the laws of aerodynamics." (Dr. Vaporeso) |
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#6
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Bust out your EQ skillz!
![]() -DAN
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-DAN |
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#7
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you're right on that, Daniel. But these days I am taking a more natural(?) approach, if you know what I mean.
The other day I read on the net a cool quote: it said that the best eq for electric guitar was a philips screwdriver so you could play with the height of the pickups. That's mic positioning, I guess. But not using a high pass on my acoustic is a trick I can't do yet.
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"A woman in a bicycle, with a straw hat, is the most flagrant violation of the laws of aerodynamics." (Dr. Vaporeso) |
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