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#1
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Wah pedal or autowah?
Im a newbie to guitar effects...I've used chorus and flange and eq on bass..but..
what's a good one that works well clean? ima use it with an acoustic guitar (seagull s6+ spruce) and an emg ACS mag pickup...no other effects... the cheaper the better...but whats the difference between the autowahs and wah pedals? excuse my dumb ass i've just never used one...lol.. thanks, chris |
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#2
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With a Wah you kinda filter frequencies from your sound. When you have a normal one you can control it with an expressionpedal, an autowah just does it for you and simulates the wah effect you get when tapping with your foor on your regular wah.
Get a regular one is my opinion, autowah sux. Especially for the little extra money. a wah is one of my most essential effects, youcan make tremendous variety in sounds with that. You can't do that with an autowah.
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#3
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I agree with BrettB.
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#4
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kool.....thanks guys
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#5
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The crybaby by Jim Dunlop is the standard pedal from Hendrix days on forward.What you DON'T want to do is play "chickawacka chickawacka"in time with the beat.Listen to Frank Zappa for a primer on cool wah technique.Its like you have an extra hand and can change the tone control on your guitar as you are riffing.
Autowahs are just envelope followers like the classic Mutron.To me,that gets boring fast. Tom |
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#6
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Would this pedal be any good? nice price....
or should i shuck in the extra bucks for this: the standard..... i will be using this as a kool effect for some lead and rhythm work on acoustic as mentioned above..thanks all ![]() |
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#7
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Quote:
An envelope follower can be pretty cool when used the right way, adds more dynamics to your playing. But a regular wah would be the first on the list indeed... |
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#8
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Any kind of wah effect is just a sweeping filter.
With a wah pedal, you control the speed, depth, and timing by moving the pedal back and forth. The intro to "Voodoo Chile (Slight Return)" is the epitome of a great wah pedal sound. An auto wah has adjustable speed and depth controls, and the "wah" is triggered everytime you play a note. The solo from "Shove me in the Shallow Water" (is that the correct title?) by Eidie Brickell and the New Bohemians is a perfect example of an auto wah. Aaron http://www.aaroncheney.com |
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#9
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"what i am" i think is the title..great song...
im getting the picture definetly of the differences... i actually play voodoo chile slight return..srv style...on my acoustic now and that's one of the reasons i want a wah... ![]() thanks guys |
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#10
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Quote:
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#11
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Both can be used in a similar way. I can't think of the brand right now, but there are some that have what is reffered to as an envelope filter as well. This adjustment allows the sweep to open more the harder a note is played. A soft pluck of the string will produce less of a throw on the Wah. A hard pluck will open the filter more towards the high spectrum. DOD made one for a while, but BOSS I am sure makes one as well. You can also set it up to act like a rotary as well where it just sort of rotates back and forth on its own allowing you to adjust depth and rate. For me, I like the CRYBABY. Cheap too. Good luck,
Fangar |
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#12
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Here is one that I found. I remember on this one you can adjust the sensitivity for Attack.
http://www.musiciansfriend.com/srs7/.../base_id/45307 Fangar |
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#13
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where's the best price on a crybaby?
is this good? | | | V http://www.zzounds.com/love.music?p=...=1352672977129 is this one any good? | | | V http://www.samash.com/catalog/showit...onetodaythanks or http://www.samash.com/catalog/showit...onetodaythanks thanks.... ![]() |
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#14
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Morley is supposed to be a good one though I have never played one. I like the Crybaby personally. Worked well and sounded good to me.
Fangar |
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#15
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I hate Crybaby's, they're too damn noisy. I had one for years, and I finally ditched it for a Morley Bad Horsie.
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