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#1
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is there some special way to go about getting a big sounding guitar.I have eq'd the guitar and it sounds good but still not big and lively enough for the mix..I don't know how else to explain it but is there any pointers I could get?
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#2
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Quote:
i haven't done any serious recording since '91 so i've forgotten exactly how much of each to use.
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my 'current instruments of choice' slideshow. Where i used to hang. audio/musical definitions. |
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#3
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I rely on my guitar tech Ivor.
He's available for freelance work just contact him on ivorbiggun@whopping.com.nz |
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#4
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Quote:
Quote:
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#5
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multiple guitar tracks!
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#6
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theres a couple ways to thicken. Record the same track twice, maybe slightly different tones? or move the mic a little. Or if thats not an option you could duplicate the guitar track on your DAW and EQ then differently. Use verbs like someone said... I feel like there is more ways, I can't think right now.
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My Band: Aqueous - www.aqueousband.com |
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#7
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#9
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and as others are saying, doubling, etc can help a lot. now that i think about it, i also used a sholz rockman to get 'big' guitar sounds i liked. iirc, it had onboard, and could mix, the above effects (among others) to get a desired sound.
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my 'current instruments of choice' slideshow. Where i used to hang. audio/musical definitions. Last edited by westgate; 02-28-2009 at 13:56.. |
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#10
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One SM57 off axis by the grill...one LD condencer 5 ft away...pan at 3 and 9 o'clock.
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#12
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As mentioned before...
Multitracking, but remember with gain less is more. Back off on the gain when tracking the guitar. It won't sound "big" coming out of the amp but when you have a couple of guitar tracked this way, panned left and right or what have you, you should get a variation of what your looking for, the rest just comes after experimenting. Luck,
James |
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#13
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![]() I would never just throw a mic(s) up and not expect to redial. |
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#14
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VanHalen...Steve Vai...etc.
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#15
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Quote:
![]() I suppose that I was just stressing that many people when recording want a "big" guitar sound and they crank the gain and track 50 different tracks like that and the end result is just a muddy, often thin sound due to the over saturation. I just recommended rolling back the gain a bit as a starting point, I know it has helped thicken my sound. and i did stress experimenting as the ultimate benefactor. But I am by no means and expert. James |
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#16
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My favorite piece of gear I have came from a Tech 21 trademark amp with a broken casing...I replicated a Randall isolation cabinet using a celestion classic 30 and put that very versitile modeling amp to use mounted on the end...I do all my rythem guitar tracks with that...with the bass going direct using a sansamp and drums fully mic'ed I can record the rythem section in the same room without any bleed and still get that live groove you can only get from the guys feeding off each other...I allways get the best results this way.
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#17
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Are you close miking, distant miking? Is your mic level set just below the onset of "break up"? Do you initially mic the guitar with a flat EQ or do you preemptively color the sound?
There are a lot of variables to this. My view has always been this: Good player + good equipment + good judgment = good recording Let your ears decide what's right. |
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#18
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What! no-one knows Ivor Biggun?
I can only assume that the joke was so lame it was ignored. |
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#19
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I'am sorry guys I meant to put a link in my last reply for I didn't I am close micing with a sm57 and this is the sound I am trying to achieve http://profile.myspace.com/index.cfm...iendID=3374393
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#20
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#21
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you want it to sound like that get a nice rig and go into a pro studio. that band's sound is the product of countless hours of post-production, mixing, and editing.
Last edited by chiefnoshow; 03-02-2009 at 12:33.. Reason: grammar |
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#22
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ALOT of bands are the result of countless hours of post production, mixing, and editing, and alot of stuff you find on this forum are the result of countless hours of mixing, and editing. That's kinda the point of HR. To make a recording you can be proud of, that stands up or is on it's way to standing up with what comes out of a "pro-studio."
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#23
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I dont know how you can get that sound, but I know what wont work......
You wont get that sound just recording 1 or 2 tracks with one SM57 and then doing some clever panning. All the reverb and eq in the world wont get that sound from 1 or 2 SM57 tracks. I'm sure there's a lot more to it than that...... Hopefully, you are starting with a great rig, great speakers, great pickups, great preamps, etc.....??
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Just think how good you could play if you were sober! My Little Corner Of The World SC's MySpace |
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#24
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why do you want to sound like this band?
methinks they suck.
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"Mirrors and Copulation are abominable, for they both multiply the numbers of men." ~ Borges |
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#25
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wow,
I didn't actually listen to them until I saw your post Starbucks, but I pretty much agree. It's like they use drop d chugging as an intro, so that you think they are a metal band, and then the rest of the song is Starting Line esq pop/punk dime a dozen radio friendly boy band IMHO. I don't want to turn this thread into a band basher, just dont really get it I guess. I also really don't understand why they have someone screaming behind everything the dude sings in the verses. Just sounds corny.
But Jammer, if that's what you want I definitely recommend pretty much what the general consensus was earlier, there are alot of great guys on HR who do metal really well, check them out. I believe LegionSerial is one, or something like that anyway. And remember the gain thing, I think you will understand why when you apply it. Luck James |
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