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  #1  
Old 02-09-2009
HB1978 HB1978 is offline
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How do I get my tracks HOT!

How's it going? I'm new to this forum. In advance I appreciate all the input from u guys. So here's my situation:
I have a 'Triton Workstation Sampler' keyboard and 'Fruityloops'; the 2 systems I use to make my tracks and also Pro Tools to record a complete song with vocals. Not to be arrogant, but I believe that I make pretty good mixes, yet I just can't get that HOT (level) out of my mixes like the pros. When I burn a CD the mix is good but the HOT (level) is not quite there. Does anyone have any pointers?
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  #2  
Old 02-09-2009
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http://www.massivemastering.com/blog...Too_Quiet.html

http://www.massivemastering.com/blog...ng_Levels.html
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Old 02-09-2009
Seafroggys Seafroggys is offline
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How do you get hot tracks?

Find a stripper for an engineer.

Or record you engaging in activities with stripper.
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  #4  
Old 02-09-2009
HB1978 HB1978 is offline
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Thanks for the advice. I looked on those sites and read them thourougly. I now have a whole new perspective on recording, mixing, and mastering. I will implement those concepts immediately.
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  #5  
Old 02-09-2009
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Quote:
Originally Posted by Seafroggys View Post
How do you get hot tracks?

Find a stripper for an engineer.

Or record you engaging in activities with stripper.
You're funny. But thanks for the input anyway.
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  #6  
Old 02-10-2009
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headroom is the magic word.......
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  #7  
Old 02-10-2009
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Quote:
Originally Posted by HB1978 View Post
How's it going? I'm new to this forum. In advance I appreciate all the input from u guys. So here's my situation:
I have a 'Triton Workstation Sampler' keyboard and 'Fruityloops'; the 2 systems I use to make my tracks and also Pro Tools to record a complete song with vocals. Not to be arrogant, but I believe that I make pretty good mixes, yet I just can't get that HOT (level) out of my mixes like the pros. When I burn a CD the mix is good but the HOT (level) is not quite there. Does anyone have any pointers?
Turn it up in the red and listen. You could be just too low.
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  #8  
Old 02-10-2009
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Quote:
Originally Posted by MCI2424 View Post
Turn it up in the red and listen. You could be just too low.
isnt the idea to be low.. gives you more headroom you can always make the vocals louder later on.. once you record it too loud theres no way to fix it later on...
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  #9  
Old 02-10-2009
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Thumbs up

Good read, I had a few trial and error ideas that matched up, and alot of stuff I didn't even think about, so overall great links to keep bookmarked!
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  #10  
Old 02-10-2009
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Quote:
Originally Posted by Seafroggys View Post
How do you get hot tracks?

Find a stripper for an engineer.

Or record you engaging in activities with stripper.
Well, everyone has their own way of working. Gasoline and a match will work every time.
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  #11  
Old 02-10-2009
HB1978 HB1978 is offline
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Thanks for the input guys. I think the headroom concept will work out just fine. I just have to start getting use to tracking my tracks at lower levels, but how do I get pass not hearing that awesome punch that I like in my tracks? Will tracking at lower levels take away the punch?
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  #12  
Old 02-10-2009
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Originally Posted by HB1978 View Post
Will tracking at lower levels take away the punch?
Overlimited tracks will sound louder, but will lack punch - much like most of the commercial recordings of the past 10 years.
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  #13  
Old 02-10-2009
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Originally Posted by NL5 View Post
Overlimited tracks will sound louder, but will lack punch
There is a track I'm working on in which my kick drum is very low end with a lot of boom. I'm loving the way it sounds in the mix. But the kick peaks at about -3db. It's really loading down my master fader to about -3db. If I lower the volume on the kick track it takes away the boominess. How do I create more headroom on my master fader and/or my kick track without compromising the boom?
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  #14  
Old 02-10-2009
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If you lower the level on something and it takes anything away but volume, there is something wrong.
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  #15  
Old 02-10-2009
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Hi-pass that bass drum. Get rid of the boom.
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  #16  
Old 02-10-2009
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Quote:
Originally Posted by Massive Master View Post
If you lower the level on something and it takes anything away but volume, there is something wrong.
Yep.

The only way to gain headroom is to lower the volume.
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  #17  
Old 02-11-2009
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put it in the oven preheat at 400 that should work my pizzas come out hot an fresh so it should work for your tracks to
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  #18  
Old 02-12-2009
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hottttt

use iZotope multiband compressor plugins for your drums and bass. it gives such a tight, fat sound!

on your master mix bus use the ML 2000 multiband limiter by McDSP. that will be the finishing touch.
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  #19  
Old 02-12-2009
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Quote:
Originally Posted by omtayslick View Post
Well, everyone has their own way of working. Gasoline and a match will work every time.
Quote:
Originally Posted by doulos24 View Post
put it in the oven preheat at 400 that should work my pizzas come out hot an fresh so it should work for your tracks to
Yeah, my method may have made the tracks a little too warm.
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  #20  
Old 02-13-2009
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Quote:
Originally Posted by doulos24 View Post
put it in the oven preheat at 400 that should work my pizzas come out hot an fresh so it should work for your tracks to
So that's what they mean by "Baking tapes!!!" I've been doing this all wrong for all this time!!!
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  #21  
Old 02-13-2009
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400 is a little (about 230-240 degrees) hot for baking tape, but that's the idea.

I like using meat dehydrators personally... Less worry about too much heat.

Sorry - Back to the goofiness.
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