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#1
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got a couple of questions for some experienced sound engineers... or not experienced.
1. How do i get my bass drum to cut through the mix more- ive already cut all freqs below 75 on all the other instruments. Help?? 2. When u record guitars, do u pan 1 all to the left and one to right or just slightly to left and right? |
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#2
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To get the bass drum to cut through, you'll want to free up some room around 80-150Hz for it.
As for the guitars, there is no proper way of doing it. If you have two guitar tracks you should do what is necessary to achieve the sound you want. |
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#3
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The only way to give you accurate advice is if you were to post an mp3 in the mix clinic.....
__________________
They that can give up essential liberty to obtain a little temporary safety deserve neither liberty nor safety. -B.F. |
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#4
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If you are making a track with a quieter kick drum i.e. rock, I have found it sounds nice to let the bass guitar fill the very low frequencies 50-150hz and give the kick drum a 5-10db boost around 200hz. I also cut the same frequency 5db out of the bass guitar to make room for it. Increasing the beater click around 3khz can also increase the clarity of the kick. hope this helps
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#5
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Quote:
2. Depends on what you want. You can pan anywhere you want, but usually I find the best place is right in the middle (for a single guitar) and 9 - 3 for two guitars. If two guitars are hard panned, they have to be right on the money timing wise or you get drop outs that stand out.
__________________
"Tascam, Fostex or Studers don't make hit records...........people do" MCI2424 - 2007 |
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#6
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thanks
thanks guys that helped a lot!!
Okay, here is a drum track that was recorded recently http://www.megaupload.com/?d=TTCDBRPB Any suggestions, im striving for a metal sound by the way. I would record and post some bass and guitar but my bands bass player is in California at the moment and im in N.C., kind of a small problem. Does the bass drum fit right in that mix?? oh btw, i dont think that the guitar source is the problem, they are recorded in isolation booths with a SM57 and they are low cutted. (but they could be the problem, im not an expert) |
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#7
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Typical EQ for a kick drum would be boost the bottom end(50-80hz), cut a lot around 800hz, you may have to cut up 12db or more depending on the drum and where the mic was placed, and boost some around 4k to get some sharpness from it. That should help. If you're compressing then use a slow attack and fast release. Cut some bass guitar where you boosted your kick.
I tend to avoid hard panning guitars for most things I do, but there's no rule for it or against it. Since you say you're doing metal music, then hard panning is pretty common. |
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#8
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You know I do the opposite.
My bass drum's fundamental is 42 hz. I put a hi-pass at 55 hz, and a cut at 188 hz. This actually makes it cut more, since you remove the low end mud and knocking out at around the 200 area gets rid of mid ranged mud. Plus notching out the 188 area frees up room for the bass guitar to cut through, since that's usually where the first harmonics run around in, which tend to be the strongest frequencies for the bass guitar. |
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#9
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Quote:
__________________
The hardest part of being a bartender is figuring out who is drunk, and who is just plain stupid. |
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#10
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You could also try using a compressor's sidechain to cut your bass guitar when the bass drum hits. This will make your bass drum stand out cleanly without having to sacrifice as much harmonic loss from cutting the eq.
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