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#1
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apogee ensemble
does anyone know if you can use multiple apogee ensembles to gain more I/O?
thanks
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#2
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I do not own one of these, and as such, my post is pretty useless, but I felt bad seeing your post go unnoticed
![]() I don't think most homerec'rs own items this good, but it also doesn't seem like the sort of thing you'd find in a pro studio... I honestly don't know what is done in most professional settings in terms of large numbers of converters, but it would seem counterintuitive to have racks upon racks of 2-channel converter units... guess I am asking a different question in your thread... sorry ![]()
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#3
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I just can't seem to find a clear explanation of the ensemble's scalability.
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many people come to me and they say hey....... |
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#4
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Ooh, got that unit confused with another, it has a number more channels than I thought
Still couldn't tell ya if you can use multiple, although somehow I doubt it would be a problem... not that you should go off of my uneducated guess when looking to spend 8 grand on converters ![]()
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thanks anyway.quality converters are too damned expensive.....
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many people come to me and they say hey....... |
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#6
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brendan,
Have you looked in the user's guide for that unit? Apogee has it available in PDF at http://www.apogeedigital.com/products/ensemble.php G. |
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#7
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In my research of the unit - I want one terribly bad - I have yet to find anything confirmative of either answer, though it seems to me that it is not linkable.
Interesting, though, it now has a "Stand Alone" mode which allows it to operate without firewire connection. It can now be used as a converter/preamp for a seperate interface...
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#8
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seems you can use multiple ensembles. The standalone feature is rad as well. nice!
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many people come to me and they say hey....... |
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#9
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We need to outfit our commercial side of the business next year. I'm thinking we're going to go with the Mac Pro, logic 8, and the ensemble. We use it for commercial and radio work, training cd's and such. Not so much for band recordings (which seem few and far between these days). it's between that and a used radar 24. Unfortunately, as much as i want the radar, the mac pro will support the side of the biz that actually makes money. Seems hard to find bands with budgets these days. any other recommendations for converters? [edit - anyone have any experience with RME Hammerfall line? Specifically the HDSP 9652?]
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many people come to me and they say hey....... Last edited by brendandwyer; 10-02-2007 at 15:48.. |
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#10
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wicked
I just wanted to chime in that recent developments by Apple clearly show they're going for Digidesign's jugular. This is essentially a higher audio quality competitor to the 002 though designed with Logic in mind....which just expanded it's applications to encompass live and post situations at half the price it was before. Interesting developments
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#11
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).I owned an Ensemble a bit ago, and while nice I opted for something I find better and less expensive. I can't comment on RME, but that's something I would suggest looking at, as their drivers are very stable and people really seem to dig them. You can get a used 9652 for under $300, and then choose any converters you'd like, many decent units around $2K. Not sure how many preamps you'll be needing... Metric Halo is something else to look at, and their stuff is reportedly very stable. Last edited by Mr.TTT; 10-14-2007 at 09:35.. |
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#12
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i appreciate your comments.
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many people come to me and they say hey....... |
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#13
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There is another thread in the other gear forum talking about this, and there are some negative comments. Apparently there is also some useful info over at grearslutz - just a heads up
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