Home Recording

Go Back   Home Recording > General Discussions > Mixing / Mastering


        

                                
                                10/30 - [video] Demo Roland TD-20SX
Reply    Audiofanzine Homestudio Homestudio News Homestudio Medias Homestudio Tests Homestudio Articles Homestudio User Reviews Homestudio Classifieds Ads
 
Thread Tools Display Modes
  #1  
Old 04-29-2007
pietro79's Avatar
pietro79 pietro79 is offline
Junior Member
 
Join Date: Aug 2004
Location: Vancouver, Canada
Posts: 50
Rep Power: 22
pietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant future
150hz spike--acoustic treatment

I often find I need to EQ sounds to remove a spike at around 150hz.. sometimes it's 160, sometimes 155, sometimes 148-ish...

the fact that it happens often makes me worry... it means a possibilty of a few things:

1. I'm consistently recording spikes through the combination of my recording techniques & equipment

2. I'm consistently playing back spikes with my system (including the less-than-ideal room I'm listening in)

3. My ears create spikes at 150hz! (no, because then EVERYTHING I'd ever hear in day to day life would be that way, and I wouldn't notice any differences)

It's probably a little bit of #1, but I'm quite sure it's mostly #2 because listening back on headphones, there's no jump in frequency that I'd call a spike... I mean, I can still hear a little something, but definitely not a spike

I should mention, this spike is present on things recorded from various locations (ie-not only things tracked in the same room I'm mixing), which further shows me that it's not #1 (my tracking)

Anyway, please download the following WAV (roughly 1.7MB)... It's the bass gtr soloed... playing a line in 4 beats per pitch...recorded in a church:

Download wav here (right click "save as" for PC, or control click "download linked file" for Mac)

the second group of 4 beats (the second pitch) is where I hear a ridiculous spike mostly around 150HZ-160HZ... It is very obvious... do you guys hear it? It seems like this overtone is present throughout the clip, and comes to the forefront when certain notes are played (when it vibrates in sympathy with the overtone, in other words)

If you guys can't hear this spike, that's good in a way, it means at least my tracking is good and I just need to improve my listing conditions... kind of nerve-wracking though that there's uncertainty to what I'm listening

----
How should I go about fixing this problem?

I'm in a mostly-bright attic. Wood floor, plaster and drywall walls...

About 15 feet long by 12 feet wide by 7.5 feet tall, with the slanted ceiling running lengthwise (see attached image below...this is simplified)

the audio monitors are a little close to the wall behind them. Could pull out a foot, but will that do much? (FYI: they're Yorkville YSM1P, with "normal" and 1/4 room switches enabled... that keeps the top end flat and attenuates -2db below 80hz)

I've tried decoupling them by putting them on four 1/2 inch sheets of blue foam (cut up from the foam mattress you sleep on for camping), but maybe this foam is too dense and doesn't do enough. What foam is best?

As for the walls, egg crate foam won't do anything for such a low frequency spike... I need some sort of bass trap... a resonating one, right? Any suggestions on where to find plans for building one? And would I build only one? And where would I place it?

Thanks for your help & patience

Sincerely
Pietro
Attached Images
File Type: jpg pietro-mixroom.jpg (18.4 KB, 77 views)
__________________
http://pipposound.com
http://spooxmagazine.org
http://normasite.com
http://theyshoothorses.org
http://geocities.com/pietrosammarco

Last edited by pietro79; 04-29-2007 at 20:49.. Reason: clarification
Reply With Quote
  #2  
Old 04-29-2007
ez_willis's Avatar
ez_willis ez_willis is offline
Virtual Ninja
 
Join Date: Mar 2002
Location: Dementia, CA
Age: 39
Posts: 3,819
Rep Power: 2303110
ez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond repute
The link is dead, which kind of sucks because I was curious to hear what you were talking about.

When I first got into recording my acoustic drums, I'd get the same brief spike. I thought it was a type of digital distortion or something, and I'd have to edit it out, which was somewhat time consuming and very annoying.

It ended up being that the overheads(one in particular) was above the vent hole on the bass drum and every once in awhile, when I kicked it hard enough, a poof of air would hit the capsule. It was almost inaudible, but it would fuck with my ear drums.
__________________
Quote:
Originally Posted by 60's guy View Post
You win.
Reply With Quote
  #3  
Old 04-29-2007
pietro79's Avatar
pietro79 pietro79 is offline
Junior Member
 
Join Date: Aug 2004
Location: Vancouver, Canada
Posts: 50
Rep Power: 22
pietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant future
Sorry forgot to say

(right click "save as" for PC, or control click "download linked file" for Mac)

Urg, I feel like I've posted something too specific for people to really asnwer on a forum... I am going to pick up the Master Handbook of Acoustics and hopefully figure out some ideas for constructing bass traps...

If I specifically have consistent problems with spikes @ around 150hz, I should be looking for absorbtion with a narrow band width, right? And I suppose certain types of absorbers and placements are more focussed than others... if anyone can put labels on these, please do! it'll guide me in my research

Well, I guess I'll post questions after having taken a look through the handbook

thank you

pietro
__________________
http://pipposound.com
http://spooxmagazine.org
http://normasite.com
http://theyshoothorses.org
http://geocities.com/pietrosammarco
Reply With Quote
  #4  
Old 04-29-2007
pietro79's Avatar
pietro79 pietro79 is offline
Junior Member
 
Join Date: Aug 2004
Location: Vancouver, Canada
Posts: 50
Rep Power: 22
pietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant futurepietro79 has a brilliant future
Quote:
Originally Posted by ez_willis
It ended up being that the overheads(one in particular) was above the vent hole on the bass drum and every once in awhile, when I kicked it hard enough, a poof of air would hit the capsule. It was almost inaudible, but it would fuck with my ear drums.
No, mine is definetly a resonance issue
__________________
http://pipposound.com
http://spooxmagazine.org
http://normasite.com
http://theyshoothorses.org
http://geocities.com/pietrosammarco
Reply With Quote
  #5  
Old 04-29-2007
ez_willis's Avatar
ez_willis ez_willis is offline
Virtual Ninja
 
Join Date: Mar 2002
Location: Dementia, CA
Age: 39
Posts: 3,819
Rep Power: 2303110
ez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond repute
Post this in the Studio Building and Display Forum. You might get a better response.
__________________
Quote:
Originally Posted by 60's guy View Post
You win.
Reply With Quote
  #6  
Old 04-29-2007
SouthSIDE Glen's Avatar
SouthSIDE Glen SouthSIDE Glen is offline
independentrecording.net
 
Join Date: Apr 2005
Location: Chicago, IL. USA
Age: 50
Posts: 8,432
Rep Power: 1566206
SouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond repute
Quote:
Originally Posted by pietro79
the second group of 4 beats (the second pitch) is where I hear a ridiculous spike mostly around 150HZ-160HZ... It is very obvious... do you guys hear it?
Gave your clip a listen...

I don't hear anything untoward in the clip in either phones (Sony 7506) or nearfields (Mackie HR824). The reason it's more pronounced in the second bar is because ~150HZ is apparently the primary overtone for the note played in that measure.

Based on the fact that I don't hear anything out of the ordinary in that frequency range here, nor see anything untoward in a FFT analysis, I'd agree that you probably have a monitoring problem. If you want to verify that, try two things: first see if that "spike" appears to you if you play it back on other systems in other locations yourself, and second, move around your room while playing back the "problem" clip and see if that spike disappras and reappears at various locations within the room; the modes should be somewhat granular and the spike should not be evenly spread throughout the room.)

Check out the "studio building forum" on this BBS for a whole cauldron of good info on bass trapping. It is frequented by Ethan Winer of Real Traps fame, but he also provids plenty of DIY tips on such treatments as well.

HTH,

G.
__________________
Glen J. Stephan,
SouthSIDE Multimedia Productions

RECORDING RESOURCES AND INFO SITE:

Last edited by SouthSIDE Glen; 04-29-2007 at 22:56..
Reply With Quote
  #7  
Old 04-30-2007
ez_willis's Avatar
ez_willis ez_willis is offline
Virtual Ninja
 
Join Date: Mar 2002
Location: Dementia, CA
Age: 39
Posts: 3,819
Rep Power: 2303110
ez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond reputeez_willis has a reputation beyond repute
Quote:
Originally Posted by SouthSIDE Glen
If you want to verify that, try two things: first see if that "spike" appears to you if you play it back on other systems in other locations yourself, and second, move around your room while playing back the "problem" clip and see if that spike disappras and reappears at various locations within the room;
Couldn't he just put some headphones on?
__________________
Quote:
Originally Posted by 60's guy View Post
You win.
Reply With Quote
  #8  
Old 04-30-2007
SouthSIDE Glen's Avatar
SouthSIDE Glen SouthSIDE Glen is offline
independentrecording.net
 
Join Date: Apr 2005
Location: Chicago, IL. USA
Age: 50
Posts: 8,432
Rep Power: 1566206
SouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond repute
Quote:
Originally Posted by ez_willis
Couldn't he just put some headphones on?
Unless I'm using a 4-digit pair of AKGs, trusting headphones alone alone for testing bass balance would be like trusting Snoop Dog alone with my sister. Well...maybe a little better than that...

G.
__________________
Glen J. Stephan,
SouthSIDE Multimedia Productions

RECORDING RESOURCES AND INFO SITE:
Reply With Quote
  #9  
Old 04-30-2007
PhiloBeddoe PhiloBeddoe is offline
Dedicated Member
 
Join Date: Nov 2004
Posts: 416
Rep Power: 35882
PhiloBeddoe has a reputation beyond reputePhiloBeddoe has a reputation beyond reputePhiloBeddoe has a reputation beyond reputePhiloBeddoe has a reputation beyond reputePhiloBeddoe has a reputation beyond reputePhiloBeddoe has a reputation beyond reputePhiloBeddoe has a reputation beyond reputePhiloBeddoe has a reputation beyond reputePhiloBeddoe has a reputation beyond reputePhiloBeddoe has a reputation beyond reputePhiloBeddoe has a reputation beyond repute
I would recommend running a frequency response analysis on your room. There are free test tones at:

http://www.realtraps.com/test-cd.htm

You will need an SPL meter, but these are inexpensive and good to have anyway.

It's kind of tedious to run the test, but it will tell you whether or not you have a monitoring issue. You probably do. My guess is that you also have other room modes that may be less noticable for whatever reason. It helps to know where they all are so you can avoid temptation to do too much 'corrective' eq at the mode frequencies.

I'm not knowledgeable enough to offer advice on treating your room. The studio build forum here and johnlsayers.com are good places to start.
Reply With Quote
  #10  
Old 04-30-2007
bennychico11's Avatar
bennychico11 bennychico11 is offline
...
 
Join Date: Jun 2004
Location: Kansas City
Posts: 4,530
Rep Power: 78547
bennychico11 has a reputation beyond reputebennychico11 has a reputation beyond reputebennychico11 has a reputation beyond reputebennychico11 has a reputation beyond reputebennychico11 has a reputation beyond reputebennychico11 has a reputation beyond reputebennychico11 has a reputation beyond reputebennychico11 has a reputation beyond reputebennychico11 has a reputation beyond reputebennychico11 has a reputation beyond reputebennychico11 has a reputation beyond repute
http://www.hometheatershack.com/roomeq/
__________________
www.redlabaudio.com
Reply With Quote
Reply



Currently Active Users Viewing This Thread: 1 (0 members and 1 guests)
 
Thread Tools
Display Modes

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump
Google
 

Similar Threads
Thread Thread Starter Forum Replies Last Post
Acoustic Treatment sixways Studio Building & Display 4 06-25-2006 21:35
acoustic treatment for tracking rooms pandamonk Studio Building & Display 2 06-07-2006 20:48
Acoustic Treatment for my studio, need help. bolehnggak Studio Building & Display 2 10-27-2003 20:42
Room Acoustic Treatment for this room??? pisces7378 Digital Recording & Computers 3 09-07-2003 02:29
Ultra-budget acoustic treatment mgraffeo Studio Building & Display 7 05-03-2003 12:34


All times are GMT -7. The time now is 04:56.


Powered by: vBulletin
Copyright ©2000 - 2009, Jelsoft Enterprises Ltd.
Copyright © 1995-2008 Audiofanzine except where noted. All Rights Reserved.