![]() | ![]() |
|
#1
|
|||
|
|||
|
Potentially Buying Digi 002R.. (owners help)
I currently have the EMU 1616M PCI and was wondering if anyone had screen shots of the audio panel included with the 002r (not pro tools, I'm talking about something like the Patchmix thats included with the EMU). I am curious about how it lets you route the inputs and outputs. I am getting the 002r because I heard it is a good quality interface if you want to get into pro tools.
|
|
#2
|
||||
|
||||
|
We have one at school, and it seems like a grossly overpriced piece of gear to me. I mean, it's 1200 new, and all you really get is 4 semi-decent preamps, 4 more line inputs, and a couple of outputs (don't know exactly how many).
If I were you, I'd go for either an Mbox, an Mbox 2 (better) or an M-audio interface with protools M-powered (sold seperately) if you really wanna get into protools. 2 DMP3 preamps only cost about 300 and are better than the pres in the digi 002R. |
|
#3
|
|||
|
|||
|
You can score one for around $800 used. Thats well worth it. The preamps on it aren't amazing, but I use them for toms and overheads... just not beefy enough for other things. I'm not familiar with your current system, but the description of the hardware on Digi's site is pretty self-explanatory as far as ins and outs. 8 analog ins (4 preamps, 4 line ins), 8 channels of ADAT optical in, and 2 channels of SPDIF in. Same thing for outputs.
The 002R isn't an amazing box or anything, and I wish it had some processing power in it as well as more I/O for mixing OTB. If you're recording full bands, an MBOX just won't cut it. The 002 is the way to go. Unless you can hold off for a while and see what Digi puts out next. Then you can probably get an 002 for even less. |
|
#4
|
||||
|
||||
|
The 002 is a decent mid range A/D converter / interface. The thing I like about it is there is no compatibility issues with the software. A total of 18 ins isn't all that bad either. People talk about the preamps but other interfaces in that price range don't have killer pres either. I very rarely use the stock pres on the 002 but if I have to they are quiet although a bit on the sterile side.
__________________
Live Clean and Play Dirty |
|
#5
|
|||
|
|||
|
thanks for all the replies guys but my question was does anyone have any screen shots of the software mixer (if the 002r has one) so i can see how the output routing will be. I chose the 002r because the mbox doesnt seem worth it for the amount of i/o.i can always upgrade the pres in the 002r down the line though. it hasnt arrived yet it should arrive in a few days.
|
|
#6
|
||||
|
||||
|
You can probably find plenty of screen shots at digidesign.com, or just google "protools".
__________________
http://www.misterpotts.com |
|
#7
|
|||
|
|||
|
Quote:
I know what pro tools looks like lol.. that's not what I was asking. You know how some interfaces come with a mixer like my EMU 1616 comes with patchmix, Firestudio comes with Control Console, Focusrite Saffire comes with Saffire Control.....hope u guys are understanding me now.... |
|
#8
|
||||
|
||||
|
here:
![]() that should give you an idea. This is version 6.4.1. It looks a little different with some of the newer versions. But it's very simple to route things. There is no external, separate software mixer or router. It's all done inside Pro Tools.
__________________
www.redlabaudio.com |
|
#9
|
|||
|
|||
|
There is no external mixer/router? Thanks thats all I needed to know. That sucks.
|
|
#10
|
||||
|
||||
|
Quote:
btw, there is also an I/O setup window and hardware setup window to configure how routing is done or what the inputs voltage level is set at. But that's still all in PT itself.
__________________
www.redlabaudio.com |
|
#11
|
|||
|
|||
|
Quote:
|
|
#12
|
||||
|
||||
|
Quote:
look here for some comparison charts: http://protoolsforum.com/ProToolsLE1.html I can't really comment on the 1814, but it might be a good unit to help you get started. The 002r isn't terrible either.
__________________
www.redlabaudio.com |
|
#13
|
||||
|
||||
|
Quote:
I don't like those little external control apps at all, I much prefer it all be integrated into the main software as it is in ProTools. It's not the way you are used to working, but I think once you get used to the concept you'll like it better too. As bennychico said, there is also a routing window where you set up all the I/O, but once you've done that you don't really ever need to see that window again. I just click on "default" and leave it at that. I personally like my 002r a great deal, and would choose it over the M-Audio stuff again if I needed to.
__________________
http://www.misterpotts.com |
|
#14
|
|||
|
|||
|
Quote:
|
|
#15
|
||||
|
||||
|
I own a projectMix with M-powered and yes there is a seperate FW driver app for routing. Seems to give me a lot of custom routing schemes but I'm having problems sorting it all out yet. BTW ProjectMix standalone is 10/6 including the S/Pdif (but not a stand-alone mixer) and up to 18/14 with an external AD like the Octane. Tascam has a similar CS/AD which I'm sure you already know.
__________________
Got any Irish in ya? Want some? http://i40.photobucket.com/albums/e2...shedvsmall.jpg |
|
#16
|
|||
|
|||
|
Quote:
Yeah I know there is a externl mixer on the M-audio interfaces just wasnt sure about the Digi.... I'm debating now between the 002r and the Project Mix |
|
#17
|
||||
|
||||
|
Why do you want an external mixer panel, what is the appeal of that? How would you use it? Seriously, I'm curious about that.
__________________
http://www.misterpotts.com |
|
#18
|
|||
|
|||
|
Quote:
|
|
#19
|
||||
|
||||
|
Quote:
output levels from Pro Tools can all be controlled with Master Faders input levels are controlled from the amplifiers themselves (8 on the project mix) or if you are running line in you control it from the source itself...unless you choose to run it through one of the amplifiers. also note (some people forget)....Pro Tools M-Powered does not come with the Project Mix. You'll have to purchase it separately.
__________________
www.redlabaudio.com |
|
#20
|
||||
|
||||
|
Quote:
M-Powered has a low track limit (32 simultaneous), which I know I'd bump into constantly. You can upgrade to 48 by buying an additional piece of software, but really, why bother when there are much more flexible DAWs out there that don't lock you into a proprietary plug-in architecture, a particular brand of audio interface, etc. As for the FW1814, my experience is that the hardware is very buggy at the FireWire PHY level. They don't play well with other devices---hubs, hard drives, other interfaces.... I spent hours trying to debug the thing and eventually concluded that it just doesn't work unless it is the only device on the bus. It usually works with one other device, but only if it is the first device. The symptom of the failure is particularly bizarre---recording works, but the S/PDIF input and output go dead. I think the clock is going unstable, but I'm not certain. In any case, it's cranky enough that I would recommend any number of interfaces over it.
__________________
Quote:
|
|
#21
|
|||
|
|||
|
Quote:
IMHO pro tools and both mpowered and le versions are great because they're propietory. I've used the more "flexible" softwares and compared to LE I've hated them. On top of all that I've already had several clients use me just for the fact I have PT. Some like coming to my place and laying down instruments and then going to a more professional set up to track vox and mix, and having pro tools makes it easy for them to do that. |
|
#22
|
||||
|
||||
|
I have to say that I'm very happy with my 002r and the ProTools software. That project mix thing is really a whole different product and is not really directly comparable. It has the control surface, is a table top unit, LCD, it's designed for different uses than the 002r. I think the important thing is for you to decide what you need, how you want to work, etc., then pick the gear from there. If you need a control surface, then yes the 002r or any rack unit is not even a consideration.
The two headphones out thing is easily cured with a simple headphone splitter cable that costs $5. I just used a splitter cable on a session with my MOTU Traveler and it worked fine. With a proprietary system like digi/protools I do have to say that I think a separate control panel would be a pain. It's all easily handled right in the main application. But Digi software only works with Digi hardware. When you get into hardware that will work with many different software apps then I can see the necessity to have a dedicated control panel to directly control the hardware. But with Digidesign that is simply not necessary, and in my opinion pleasantly so.
__________________
http://www.misterpotts.com |
|
#23
|
|||
|
|||
|
Quote:
|
|
#24
|
||||
|
||||
|
002r owner here...
the 002R IMO is one of the best options for midrange interfaces. No compatibility issues whatsoever with pro tools (obviously). how can you say it's overpriced? you get the hardware, plus the software for $1200 ( i paid $1100 new, go haggle in GC or wherever). any other hardware requires software purchased separatly. those 4 mic pres are really clean. i think that the MBox is a waste of money, comparitavely. for a couple hundred bucks more, you get double or triple the i/o. i added a behringer BCF to control, becuase i like that myself, and it was like $160 or so used. i love the digi 002. its honestly a great unit, made well and looks nice too in the rack. i was considering the project mix, but add software and its like $1500. plus the digirack bundle has good stuff, like reason adapted, sampletank le, BFD and melodyne essentials. good stuff, free. then the full version upgrades are all discounted.
__________________
GFCG Member: 000 029 F**k Your Scene. |
|
#25
|
|||
|
|||
|
the singer of my old band, against my best advice, picked up the projectmix....
i sat down with the unit for a night and wished i never had....the preamps were basically unusable...way too hot for almost anything and would require in-line padding just to lay down drums or even vocals the external routing program doesn't let you do much at all....i was thinking it would be like the layla, i'd adjust input gain in there to cut back on the excess i was getting...but alas...after an hour on the phone with m-audio i was told it doesn't exist... in the end he took it back, bought the 002r and took a loss on pro-tools m-powered.... now, in my studio i have the 002r right now and i love it...after using a layla and sonar for years, the workflow of pro-tools is a lot better for me... i bang around at 100 mph with hotkeys and everything right at my fingertips and life is much easier... and...you get better performances when it doesn't take 15 minutes to work something out between takes... steer clear of m-powered stuff |
![]() |
| Currently Active Users Viewing This Thread: 1 (0 members and 1 guests) | |
| Thread Tools | |
| Display Modes | |
|
|
Similar Threads
|
||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| Computer and Digi 002R rack (bundle) questions ! | rockishell | Newbies | 9 | 05-25-2005 15:32 |
| Buying a digi 002 protools instead of a midi interface? | Emusic | Digital Recording & Computers | 0 | 03-12-2005 07:40 |
| Problems Monitoring while Recording into Digi 002 | Bonginton | Newbies | 3 | 08-28-2004 11:42 |
| FIRESTATION vs Echo Mona vs Digi 002R | shAkEz_gk | Digital Recording & Computers | 9 | 02-24-2004 13:13 |
| power supplys 300w vs. 400w for a digi 002r | maskedman72 | Digital Recording & Computers | 5 | 10-15-2003 23:05 |