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Old 11-27-2006
RandyW RandyW is offline
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Powered Mixer for recording

I need to buy a mixer for playing out. I've looked at a couple and ran across the Yamaha EMX5000. Then it hit me to maybe do a little killing 2 birds with one stone. This mixer also has inserts for each mono channel, so why not use it for recording. I should be able to patch in the Delta 1010 ins and outs through the inserts? No?

I'm thinking that will work but I'm not sure where this will be putting the signal in the chain through the mixer, I know I won't be able to use external effects if the outputs are already occupied. But my questions are will this bypass the EQ settings for each channel as well? Will the fact that the mixer has several fairly large amplifiers built in increase noise levels?

I'm using a couple of inferior mixers right now an old as in ancient 8 channel Foxtex and a lets just call it the B word MX3242. So it would take much to make me happy. I do most of my recording with external preamps direct into the 1010s. But I like to run my mixes through the mixer for mixing direct to cassette or CD. I haven't quite figured out how to do it with my very basic GTP 3 software
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Old 11-27-2006
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SouthSIDE Glen SouthSIDE Glen is offline
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As a general rule of thumb, PA mixers will tend to be noisier mixers - in several ways, not just S/N ratio - than mixers designed for recording; they just don't need the same tolerances of specification on sound. You *can* use a PA mixer for recording, but I wouldn't expect results any better than what you're getting now.

You might want to look at the "two birds with one stone" the other way around; get a halfway decent recording mixer that fit's your needs, build it into a rack with a power amp or two, and let it double as your PA mixer. One of the main bands I work with does this with a Mackie VLZ Pro and a couple of amplifiers to route to their wedges as well as drive their PA stacks.

It sounds great live; we heard the distinct difference in quality on the very first gig with the new mixer. And it gives the owner an acceptable quality mixer for use back at the ranch as well.

G.
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Old 11-27-2006
RandyW RandyW is offline
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You must have been reading my mind.

But I'll have a slight variation since I really don't like taking my nicer guitars and amps and other toys out of the house.

I'll use the B word MX3242 mixer I already have buy a Crown power amp stick it all in a small rack and be done with it. I've heard that the Mackies aren't a mixer you want to haul around much. It sounds like there are some problems with ribbon connectors working loose. Anway it will give me ground to gets something nicer and only a few hundred more to do than what the Yamaha mixer would have cost.

Thanks for backing up my conscience we needed it.
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Old 11-27-2006
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Quote:
Originally Posted by RandyW
I've heard that the Mackies aren't a mixer you want to haul around much. It sounds like there are some problems with ribbon connectors working loose.
Well, this guy has a 1604 VLZ Pro that he's had in his rack for going on two years now. Between his bands and his DJ work, that rack goes on the road probably an average of 3-4 times a month, and he hasn't had a single problem. And he bought it used off of eBay.

My 1604 VLZ (pre-Pro) is 7 years old and has been used as a location mixer many times over those years, and nary a problem with it that entire time. I'm going to be retiring it Real Soon Now, but not for any reason having to do with mobile use or anything breaking. That thing could be run over by a car and not get a scratch.

Anyway, it doen't have to be a Mackie; that was just a real-life example I could give you. But just about anything above a Berhie or Yamaha MG is going to give you quieter curcuitry and better mic pres than your average PA mixer will. Just buy something built like a tank and you'll be OK.

G.
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