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#1
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Interesting Converter Comparisons ...
Alright, so I have, in my posession, three different types of converters.
I have what many would consider to be a mid-level consumer / prosumer audio interface. I also have a stand-alone a/d converter that many would consider to be a pretty high end / expensive piece. Also in my posession is an el-cheapo stand-alone consumer A/D converter. For fun, I decided to do what I consider to be a valid comparison of the three units. What I did is take an existing rough mix of one of my clients, and I ran it through each converter. Four times. Each time, I used the exact same D/A. The idea, again, is to test the differences in the A/D. Levels have been matched pretty well. Signal path, in each case, has been kept as simple as possible. Each one used it's own clock, because I feel that to be an important component of the converter and should be part of the comparison. Anyway, you can find the files here: http://www.nowhereradio.com/artists/...3503&alid=1578 Honestly, guys, I think it's pretty damn interesting. I've always felt that comparing converters was a pretty hair-splitting exercise, and I think this comparison lends credence to that. After 4 generations of A/D, you should be able to start hearing some of the degredation that each converter imparts to the audio, and you should start hearing what each unit brings to the table. . |
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#2
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Hairsplitting indeed. I'm going with #2 sounding best, but don't ask me why.
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#3
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option 4 - they all sound like crap.
It's hard to tell from those examples as the air is pretty much non-existant, and the top end is pretty well hosed in all of them. Bad mp3 conversion maybe?
__________________
They that can give up essential liberty to obtain a little temporary safety deserve neither liberty nor safety. -B.F. |
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#4
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so did you finally see the light?
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#5
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It is easy to hear the difference between sample1, and samples 2 AND 3.
In other words, Sample1 is clearly inferior to 2 and 3. Where it becomes and issue of hairsplitting is between 2 and 3. If i had to choose quickly, i would select sample 3 as the best. The difference between sample1, and the others is pretty big (relatively speaking!), so i cant really see the validity in blaming mp3 conversion for not being able to hear stuff. Interesting test. |
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#6
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Quote:
So you hear "air" in those samples? You think the highs sound fine in those samples? Where did I say I couldn't hear a difference? You are the one that said 2 and 3 were too close to call....... edit - and for the record I'm saying the are in order 1,2,3 - Guessing 3 is not exactly "high-end" though. Also, I am not here saying converters will make or break you. I do think they make as much, probably more, diffrence than preamps. But, If you really want to be humbled, pick up Joshua Judges Ruth by Lyle Lovett - recorded straight to 16 bit converters from the late 80's early 90's - not exactly High end by todays standards for sure. That album sounds flippin amazing......
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They that can give up essential liberty to obtain a little temporary safety deserve neither liberty nor safety. -B.F. Last edited by NL5; 09-14-2006 at 11:52.. |
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#7
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i hear some rice crispy type stuff going on in 1 but I doubt that anyone that was'nt looking for such things would ever notice it. i don't hear a great difference in the 3 samples. i took a few quick listens and i'm going to listen some more, just to see.
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#8
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on the tom hits in the intro, i hear a slight difference in the "crispies" in between 2 and 3. 3 having slightly more crispies than 2. what are these "crispies" called?
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#9
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3 is best, 1 is second, 2 is worst. But I cheated
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#10
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#11
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Didn't listen to 3 though. |
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#12
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i heard someone talking at around 1:27. might want to get rid of that chess.
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#13
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#14
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#15
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other than the crispies, i don't prefer one over the others. what are you guys basing your preferences on? don't be a smartass and simply say "sound". if i sit here all day long and listen over and over, i may develope a slight preference but what's the point?
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#16
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Quote:
I based mine on the cymbals sounds, the squeaks from the guitar player, and the tom hits mainly........
__________________
They that can give up essential liberty to obtain a little temporary safety deserve neither liberty nor safety. -B.F. |
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#17
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#18
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#19
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. |
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#20
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#21
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#22
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When are you going to tell us which one was which?
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#23
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Listen for clarity, stereo imaging, and compare transients (i.e. drum/cymbal hits etc). |
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#24
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I wasn't attacking the mixes - just the use of them for a test of this nature. Sorry if it seemed a bit harsh......
__________________
They that can give up essential liberty to obtain a little temporary safety deserve neither liberty nor safety. -B.F. |
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#25
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I say if you have to actively listen to the samples to tell a difference, especially after being sent through the converter 4 times, then they all must be somewhat decent.
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