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#1
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quick question regarding 3630
why does the description of the alesis forum say "...(shudder) the 3630 compressor?" What exactly is wrong with it? If there is something wrong with it, what is a better compressor to purchase within the same price range (around $100)?? Thanks.
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#2
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Nothing wrong with the 3630 at all.
At least, not until you hear a decent outboard compressor. Then you'll know why it says that. For $100 you definitely get what you pay for. Up your budget if you know what's good for you. |
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#3
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Im half deaf and can hear what they do to your music.
It sounds like someone has put a blanket over your monitors. It just sounds dull |
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#4
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haha. being able to "up my budget" is much easier said than done. I'm sure that's the case for most of us.
one of you said it's ok for the money and the other basically said it just sucks. is there anything better in the $100-$200 price range? thanks for the input. |
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#5
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Quote:
http://www.musiciansfriend.com/produ...ate?sku=183515 Way better than the Alesis One. ![]() |
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#6
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Quote:
Using $100 gear is going to get you a $100 sound, that's the bottom line. If you can live with that, get the Alesis. If you actually want your stuff to sound decent, don't get the Alesis. The dbx is a pretty decent unit for the price, and you may want to look for a couple of RNC's. They can be had for about $135 or so each on the used market. |
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#7
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thanks guys. I will definitely take a look at the DBX and the RNCs.
let me ask you this, is it better to not have a compressor at all than to have the 3630? obviously, I don't want to waste money. Quote:
I really appreciate all the help everyone. thank you. |
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#8
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Quote:
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#9
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Quote:
I heard a lot of good things about th RNC.. ![]() |
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#10
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I would rather not use compression than use bad compression. With bad compression, you are only making your track worse than it would otherwise be.
__________________
The fact that no one understands you doesn't mean you're an artist... |
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#11
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The RNC is a pretty nice unit with some very usable presets.
Personally I avoid using compression when at all possible ..... don't like 'em. I'll use one more as a limiter to keep from going in the red when tracking other people who can't control their volume levels but when I'm tracking myself I just keep an eye on the meter. |
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#12
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Quote:
If you get a 3630 for a little less than $100 you can spend another $50 or $100 upgrading it's components with the well known fixes to it's design. That will give you a compressor that is in many ways even nicer than the best dbx unit, probably worth $400 or more on the used market now days, for only $150 or $200 and some soldering. There are a couple of basic design flaws in 3630s that are easily fixed with a capacitor and some soldering. Buy one, fix it up, and use it. you'll be impressed. it's a great compressor with a few major messups in the earlier production units. The later units are much better, all of them are easily fixed. Cheers, Don
__________________
------------------------------ Don Kelley Owner/Operator/Engineer/Session Player for doubletakerecording "Give me a gig!!" ~~~ Jaco Pastorius |
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#13
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wow, thank you all again for the great info.
Quote:
from what I understand, if used properly, a compressor can maintain the incoming signal within a certain range without affecting the sound too much (i.e. to avoid peaking and other problems.) if i'm wrong about this, please let me know. I'm willing to learn! |
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#14
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I love threads where people rag on the the ol' 3630. It give me a chance to post this song for your listen.
http://www.phoenixlightandsound.com/...kyBlueMind.mp3 3630 on bass guitar and acoustic guitar solo. |
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#15
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It depends on whether or not you want to hear it. If you are making dance music, the pumping of the 3630 can be desirable (ex. Daft Punk). For most other music, I hate being able to hear the compressor.
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#16
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Quote:
HOWEVER, for the cost of the compressor and the mods (and maybe an extra $25 or so), you could just pick up a Valley People Dyna-Mite and be WAY ahead of the curve. Just my opinion of course, but the VP unit is one of the best sounding low cost units that I have used. It's no Vari-Mu, but it's also under 1/10th of the price too... |
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#17
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The 3630 actually has a sort of "flavor" to it. It is not for everything.
Neither is a LA2A. I can't stand it on lead vocals, or guitars, but on backing vocals, keys, drum overheads, a very nice sound! The 1176 just KILLS on ANY drum (overheads too!) and guitars, and for aggressive vocals. But it is too much on a soft female voice, keys (unless you got a really stabby part you want to beat into submission) and bass guitar (unless you want some flubby sounding bass tracks.........although it does tend to work on slappy bass fairly well). I have not heard one compressor that works well on everything. The coveted RNC sounds like ass on bass, kicks drums, vocals (in my opinion), but seems alright on snares, guitars, etc... I posted that mix above that has two tracks using a 3630. Neither track sounds like ass. In that same mix, there are only 4 other channels of compression, 2 being Behringer AutoCom's (the old ones with attack/release controls) and 2 being Behringer Composer's. This mix sounds just fine. If you don't know how to use your tools, you can make a Cranesong STC-8 sound like ass. |
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#18
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The old Alesis Micro Limiter is actually better sounding. It was made in the USA by the original Alesis company. It has no design relationship to the 3630.
I recommend the Micro Limiter whenever this topic comes up as a great inexpensive unit. I have two of them. They are simple, and well made, but discontinued. There are always some on ebay. If you want something more configurable and better sounding, spend a little more ($150 - $175) for an FMR RNC Model 1773. A good compressor for $100.00 is a tall order. If you already have a 3630 and just like tinkering, you can improve it greatly below. http://www.recording.org/e-mag/article_81.shtml ![]()
__________________
«:: «::B::» «::E::» «::C::» «::K::» ::» "Where in the hell are the red M&M's?" ~My Lil' Sister, 1976 |
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