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Old 05-24-2006
jerangkong jerangkong is offline
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Micing up an amp

Hello there, anybody here can suggest the best technique to mic up an amp?? lets say a cabinet....

Does a condenser alone does the job???

??
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Old 05-24-2006
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jndietz jndietz is offline
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Smile

Quote:
Originally Posted by jerangkong
Hello there, anybody here can suggest the best technique to mic up an amp?? lets say a cabinet....

Does a condenser alone does the job???

??
Well, you can always try it... I don't own any condensers yet, so I can't really help you there.

But, I get the best clean sound out of my amp when I just drop my microphone down in front of it. But, a popular technique is to put a Shure SM57 pointed at the middle of the cone on the speaker but at a 45 degree angle or so, with the condenser facing the body of the cone to pick up lows.

Play around with some stuff... see what does what, its fun
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Old 05-24-2006
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Bro, do u hav any short recorded clips/samples of yours that uses the sm-57?? samples of distortion and clean....

it would be very helpful...

Does one dynamic mic(sm-57) really helps?
or to use 2 mics to thicken the guitar tone??
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Old 05-24-2006
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Old 05-24-2006
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Quote:
Originally Posted by jerangkong
Bro, do u hav any short recorded clips/samples of yours that uses the sm-57?? samples of distortion and clean....

it would be very helpful...

Does one dynamic mic(sm-57) really helps?
or to use 2 mics to thicken the guitar tone??
I don't have any here (I'm at work ) But I would be more than happy to get some for you when I get home

And yes, the SM57 is the industry standard for vocals, acoustic guitars, and guitar cabs. i record LOTS of stuff with it.
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Old 05-24-2006
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go LDC

If you're getting a good tone from your amp, then one Large Dynamic Condenser Mic is all you really need. Lately I've found it easier to use an LDC than a SM57.

Check out the first three songs here for examples:

http://www.soundclick.com/bands/page...m?bandID=68265

The guitars on the first two were recorded with one AT4033, but you can get similar results with an SP C1 or similar.

Good luck, Rez
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Old 05-24-2006
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Quote:
Originally Posted by RezN8
If you're getting a good tone from your amp, then one Large Dynamic Condenser Mic is all you really need. Lately I've found it easier to use an LDC than a SM57.

Check out the first three songs here for examples:

http://www.soundclick.com/bands/page...m?bandID=68265

The guitars on the first two were recorded with one AT4033, but you can get similar results with an SP C1 or similar.

Good luck, Rez
Mind I ask where you had your AT4033 placed to record those songs? Sounds great
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Old 05-24-2006
Keiffer Keiffer is offline
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Here's some clips of mine...

Clips
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Old 05-24-2006
killmachine killmachine is offline
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try everything, double micing dymanic + cond about 3 ft out, triple micing 3 dyn placed in differnt areas, try MS style for roomy sounds, try 2 different amps with differnet combos,

try it, see what ya like
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Old 05-24-2006
Keiffer Keiffer is offline
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if you're gonna use more than one mic, minimizing phase issues become paramount...

I'd recommend you stay away for now...
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Old 05-25-2006
jerangkong jerangkong is offline
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Keiffer, are those tracks u recorded direct or u mic up the amp dude??? it sounds fuckin' great!!

ANy tricks to share dude????
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Old 05-25-2006
Keiffer Keiffer is offline
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all amps...

get the best tone possible in the mic...

adjust your tone whilst monitoring the mic

find the speaker's sweet spot. I turn up the treble with no input and find the brightest spot (usually)

another method for distorted guitar is two mics. one dead on (sweet spot) straight, the other just beside the first angled about 45 degrees. mix these two to taste for a mono signal. beware of phase issues. you may have to slide one post tracking to fix phasing

double (or quadruple) track the same part

keith-

Last edited by Keiffer; 05-26-2006 at 08:31..
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