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#1
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SE Electronics REFLEXION FILTER
http://www.dv247.com/invt/froogle/31474/ Has anybody used this and is it any good? I understand that you hook it up behind the microphone attaching it to the mic stand. Is that right? Does it have the desired effect or is it just an overexpensive gadget?
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ED JAMES "I wear shades indoors and sometimes speak in the third person, does that REALLY make me such an asshole?" MUSIC EQUIPMENT OWNED:- M-Audio Delta 44, ART Pro Channel and Audio Technica AT 4040 for recording Pop/RnB male vocals |
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#2
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I've seen it at a trade show before and i had a play with it. Unfortunatly with all the noise there - you couldn't tell how it was affecting the sound. But it sits behind the mic attached to the mic stand as you thought.
From soundcontrol.com (http://www.soundcontrol.co.uk/mod_1/....1.5.5-122-30#) http://www.soundcontrol.co.uk/images...5.5-122-30.jpg What is the Reflexion Filter? The Reflexion Filter is basically a portable device for recording live sources with reduced room ambience. It is an advanced composite wall which is positioned behind any microphone by means of a variable position stand clamp assembly which ships with the product. The main function is to help obtain a 'dry' vocal or instrument recording. This is especially useful in studios without proper acoustic treatment, but can also be used to help record takes in control rooms, where the performer also has to operate the recorder, or in rehearsal studios to reduce ambient noise. The Technical Bit: The Reflexion Filter has 6 main layers. Firstly, a strong layer of punched Aluminium which allows sound waves to pass through it, diffused, to a layer of absorptive wool. The waves then hit a layer of Aluminium foil which helps dissipate energy and break up the lower frequency wave-forms, and from here they hit an air space kept open by rods passing through the various layers. The air gap acts as an acoustic barrier. The sound waves then pass to a further layer of wool and then through an outer, punched, Aluminium wall which further serve to absorb then diffuse the remaining acoustic energy. The main absorber has formed pieces of Aluminium Foam attached to it via the extended separation rods, which further serve to absorb and then diffuse sound waves as they pass to the main filter. The stand assembly comprises a horizontal bar onto which both the Reflexion Filter, and any standard fitting shock mount can be fixed. Both the microphone (in its shock mount) and the Reflexion Filter can then be moved both vertically and horizontally along the bar to obtain the optimum working position. How does it work? The various layers both absorb and diffuse the sound waves hitting them, so progressively less of the original source acoustic energy passes through each layer. This reduces the amount of energy hitting un-treated walls and other surfaces so there is less of the original source reflected back as unwanted room ambience to the mic. The Reflexion Filter also helps prevent any reflected sound reaching the back and sides of the mic. Its shape and size have been carefully tested to maximize absorption while keeping 'coloration' down to only around 1dB, and leaving the microphone's polar pattern unaffected. In summary: All in all, it's a very clever and desirable piece of kit. It allows you to record vocals, guitars etc with a 'drier' sound without having to have an acoustically treated room. It's portable. It uses state of the art materials. It works… and it's a fraction of the price of acoustically treating your studio environment!
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Ever notice that people labelled eccentric are usually geniuses? |
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#3
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Wow
that was a neat description I 've got one on order & I'll probably have a double mattress at my back when I use the screen
on the other hand I might not (have a double mattress) Ddude666 thank you very much for that S ![]()
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BOING!!!!!!! G.F.C.G membership No# : 000 042 boingaroo aka wannabe drumber |
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#4
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I can see no point using it, you'll need good room acoustic facilities and noise attenuators anyway.
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#5
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Quote:
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BOING!!!!!!! G.F.C.G membership No# : 000 042 boingaroo aka wannabe drumber |
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#6
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I was making one of these and signed up for a patent-pending...
the concept was for taking out the "room", especially the backside of the LDC's in crap drywall rooms. Then I noticed there were others already out there. Doesn't Auralex have a wedge or something too? Same concept. This one looks nicer and they went much further with the 6 layers and panel approach. as far as "working"... another tool in the studio? My skeptisism is if the room is very small I don't see how its going to block much sound as its so far from the mic, has open top, open bottom?
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if it's not happening in the room, it ain't gonna happen on tape.-HG |
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#7
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It might work in a pinch if your room environment isn't very good. It might also be useful for narration and voice-over work. Just a thought. Pretty stiff price though, for what it is.
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#8
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I have used devices like this that were homemade and usually "temporary" in nature. It is really just a small proximity gobo placed on a stand. It's use would, in my opinion, be best used in a small, minimally treated room. This device, and others like it, will make more of a difference in your sound then you may think.
Chip Evans |
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#9
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200 pounds are far more expensive than what I woiuld expect for this type of device.
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#10
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Thought
is there such a thing as a search engine that will take the product (in this case the SE RF) & look for the cheapest deal...........
if £200 is considered steep I wonder what it can be got for it's advertised in sound on sound at £229
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BOING!!!!!!! G.F.C.G membership No# : 000 042 boingaroo aka wannabe drumber |
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#11
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here's another angle, $50 Auralex expanders
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if it's not happening in the room, it ain't gonna happen on tape.-HG |
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#12
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Quote:
I was wondering how much they effect the sound.
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sloanstewart.com |
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#13
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A DIY, mine was shaped like a amphitheatre, with foam inside the casing.I tried cardboard, plastic, box, rounded, square...all had pretty much the same effect. This is the only one I tried.
do they work? anything can change the sound of your mic. same as a towel or your hands cupped around the mic, blankets, a corner of the room, foam, metal plates...etc. I agree with what Chip Evans stated on this side of it... you'll hear it. $200 seems kinda high imo, i'm with gilwe. Imo, its kinda like a $200 multi-effect pedal patch that's called MARSHAL STACK. You have a $200 thing, instead of a Vocal booth or treated room. now that I think of it, I finally searched for a different microphone that was uni-directional and required the sound to be close to get rid of my Drywall echo Crap-hole sound. I never use my never patented DIY DEFLECTOR REFLECTOR MIC SHIELD ISOLATOR FOAM AMPHITHEATRE CARDBOARD PLASTIC SHIELD anymore. Being open-design, I don't see how it prevents sound coming "into" the mic ? The one I made was closer, had a top and bottom and took the room out more I would guess. It cost about $10 to make. More like the Auralex, but with the "amphitheatre" shaped housing. damn..1000 orders already at NAMM $200 each...not bad at all. Thats $200,000 approx!! It is very professional looking and appears well-built. Much more materials & science and physics went into it, probably.
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if it's not happening in the room, it ain't gonna happen on tape.-HG |
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#14
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Even worse than that, in the UK the SE Electronics RF Reflexion Filter is £200, thats pushing $400!!! Cheapest I found it was £196.97 which is $345.84 plus delivery costs. Essentially, if I'm to buy this I wanna know if people think it'll be worth the money!
__________________
ED JAMES "I wear shades indoors and sometimes speak in the third person, does that REALLY make me such an asshole?" MUSIC EQUIPMENT OWNED:- M-Audio Delta 44, ART Pro Channel and Audio Technica AT 4040 for recording Pop/RnB male vocals |
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#15
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I have the code of a deal for it from Digital Village. I think it took the price down to £110. I'll see if i can find it..
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Ever notice that people labelled eccentric are usually geniuses? |
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#16
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Quote:
it comes friday on approval I'm off to Digi Village L8r
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BOING!!!!!!! G.F.C.G membership No# : 000 042 boingaroo aka wannabe drumber Last edited by slidey; 04-12-2006 at 14:36.. |
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#17
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hmmmmmmmmmm you must have a really good relationship with the management
as £199 inc vat is what's advertised £110 is a VERY NICE PRICE curious curious curious Slidey.....................
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BOING!!!!!!! G.F.C.G membership No# : 000 042 boingaroo aka wannabe drumber |
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#18
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Quote:
I have a big bag full of catalogues from that show, but i cant remember where i put it. I'll do my best though. ![]()
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Ever notice that people labelled eccentric are usually geniuses? |
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#19
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Quote:
__________________
BOING!!!!!!! G.F.C.G membership No# : 000 042 boingaroo aka wannabe drumber |
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#20
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Bump
I've recieved it, tried it out with the trusty AKG solidtube & WOW
It does what it says on the tin.............price a bit steep at £180 but in the long run it would cost me more in mental health bills if I didn't have it a great piece of kit
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BOING!!!!!!! G.F.C.G membership No# : 000 042 boingaroo aka wannabe drumber |
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#21
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Good stuff mate, any chance of some clips? with and then without the filter?
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Ever notice that people labelled eccentric are usually geniuses? |
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#22
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Quote:
)
__________________
BOING!!!!!!! G.F.C.G membership No# : 000 042 boingaroo aka wannabe drumber |
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#23
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Did you ever find that code?
__________________
ED JAMES "I wear shades indoors and sometimes speak in the third person, does that REALLY make me such an asshole?" MUSIC EQUIPMENT OWNED:- M-Audio Delta 44, ART Pro Channel and Audio Technica AT 4040 for recording Pop/RnB male vocals |
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