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#1
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what is the first knob you usually use when compressing.
what is the First knob you usually use when compressing.
do you guys set the attcak first? the threshold? ratio?
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CHECK OUT MY LATEST MIXTAPE ALL INPUT IS DEEPLY APPRECIATED. HOLLA BAK WWW.MYSPACE.COM/ALEVY |
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#2
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Ratio. But then I usually go back to it after I've adjusted all the other interactive settings, cut my ratio setting in half (i.e. half the compression I originally decided was appropriate), and then re-adjust all other settings accordingly... and then of course readjust everything two or three more times.
The right answer here is that there is no right answer. Knobs on a compressor are usually highly interactive, and when you change one setting often you end up wanting to tweak another... It also depends on which compressor I'm using... on my most used compressor, the RNC, 99% of the time I reach for the ratio knob first. |
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#3
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what do you listen for at that point when you solely adjusting the ratio?
__________________
CHECK OUT MY LATEST MIXTAPE ALL INPUT IS DEEPLY APPRECIATED. HOLLA BAK WWW.MYSPACE.COM/ALEVY |
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#4
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and when your adjusting the ratio is everything at zero or is it somewhere from a previous session?
__________________
CHECK OUT MY LATEST MIXTAPE ALL INPUT IS DEEPLY APPRECIATED. HOLLA BAK WWW.MYSPACE.COM/ALEVY |
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#5
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I think attack, then release, is more potent (relevant) -being general here, than ratio. But still, first up is some thought about what/how and why.
Wayne |
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#6
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First, there is no "right" or "wrong" way, IMHO. I think Gem hit it spot on in that whichever you do first, there are probably going to be a few cycles of tweaking each control before you get what you're looking for, regardless of where you start. (Take that, recipie lovers!
)But given that, the methods I am usually most comfortable with myself depend upon my main goal for using the compression: - if I am mainly looking to control dymanics (e.g. level out the notes of a DI'd bass), I'll start with the threshold, based upon a fairly good estimate of at what level I think the dynamics are starting to get out of control. Start with a close threshold, then tweak the gain and the threshold to get the amount of control I want. Then finally the attack and release to get the "shape" correct. - OTOH, if I am looking to shape the "sound" of an instrument (e.g. bring out or tone a kick or a snare), I might be tempted to start with the attack and release first, getting the edges of the envelope where I want them first, and then useing the gain and the threshold to bring the levels where I want them. G. |
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#7
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Quote:
![]() Oh, wait... you mean on the gear.... Usually ratio, followed quickly by attack, then release, then rinse and repeat.
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#8
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Gain make-up.
Invariably, it hasn't been turned down from the last time I used the compressor so it needs to be turned down before the current operation can commence... hence it's usually the first knob I reach for when I employ a compressor. Best of luck with all you do.
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Fletcher Mercenary Audio mwagener wrote on Sat, 11 September 2004 14:33 We are selling emotions, there are no emotions in a grid |
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#9
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hey how are you guys doing.i dont know any studios out here in atlanta as of yet. i was wondering how much some one would charge me mix down a few songs (2tracking).
__________________
CHECK OUT MY LATEST MIXTAPE ALL INPUT IS DEEPLY APPRECIATED. HOLLA BAK WWW.MYSPACE.COM/ALEVY |
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#10
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I set it to "on." . |
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#11
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#12
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Quote:
![]() G. |
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#13
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Quote:
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#14
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Of all the things that make chessrock cranky ... nookie woes are certainly not one of them.
. |
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#15
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Quote:
even if you're embarassing yourself? ![]() |
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#16
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maybe he doesn't know he's embarrassing himself. as an aside, there's nothing funnier than to hear a terrible mix with compression pumping in and out over the entire song.
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#17
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Quote:
Give Jim Z a call at ZAC... I usually mix at the "Stonehenge" room there... [or in Room "11" at Tree Sound]. Either way... there are a bunch of great rooms in Atlanta... so I'm sure you'll have a great time mixing. Best of luck with it!!!
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Fletcher Mercenary Audio mwagener wrote on Sat, 11 September 2004 14:33 We are selling emotions, there are no emotions in a grid |
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#18
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o kay well i have a budget of about 500 dollars. i have about 6 songs i want done is that possible at one of the studios you mention. do you know there rates?
__________________
CHECK OUT MY LATEST MIXTAPE ALL INPUT IS DEEPLY APPRECIATED. HOLLA BAK WWW.MYSPACE.COM/ALEVY |
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#19
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i checked out the links. those are the sort of studios i dream of. i dont think i'll be able to go there with $500.lol. especially looking at their past clients.
__________________
CHECK OUT MY LATEST MIXTAPE ALL INPUT IS DEEPLY APPRECIATED. HOLLA BAK WWW.MYSPACE.COM/ALEVY |
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#20
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Whenever I want to compress, I have to enter the studio...Thus using the door knob first.
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#21
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You guys are all a bunch of knobs.
. |
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#22
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*ahem*
well, i have a software compressor, and this probably isn't the best way to do it, but i do most of my parameter tweaking just looking at the graphic on the compressor: http://www.cakewalk.com/images/SONAR3/fxcompressor.jpg i watch the little dot move up and down (the level of the track) and adjust threshold, ratio, and the knee accordingly. I usually set attack and release just based on what instrument i'm compressing. i do listen to it at some point!!! |
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#23
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I tried but now I'm just back peddling. The whole concept is silly.
The real question is hiding somewhere. ![]() |
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#24
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I adjust the threshold first. Thats what kicks the compression in and by adjusting it I can vary how often it comes on. Then radio is next. Then I adjust the attack and release.
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#25
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Quote:
It's the old chicken and the egg thing... |
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