Home Recording

Go Back   Home Recording > General Discussions > Recording Techniques


        

                                
                                10/30 - [video] Demo Roland TD-20SX
Reply    Audiofanzine Homestudio Homestudio News Homestudio Medias Homestudio Tests Homestudio Articles Homestudio User Reviews Homestudio Classifieds Ads
 
Thread Tools Display Modes
  #1  
Old 03-31-2006
ndycus1 ndycus1 is offline
Senior Member
 
Join Date: Jul 2004
Location: Dalton, GA and Cleveland, TN
Age: 24
Posts: 183
Rep Power: 135
ndycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond repute
Overhead Choice for Upcoming Project

In an upcoming recording i'll be doing for a punk/hardcore-ish band, my mic choices for drums will be very limited when recording drums (because i will have to use the band's mics instead of my own). The mic collection i'll be using consists of a D112, SM57's and 58's, a Neumann TLM103 (the only mic of mine i'll have with me), an AudioTechnica AT3035, and a pair of AKG C1000s. I figured i'd use the D112 for kick, and the 57s and 58s for snare and toms. But, What do you think I should use for overheads? I've used C1000s for overheads in the past, and can't say that I'm a fan. But, I was wondering whether or not using an AT3035 and a TLM103 would be a bad choice or not because of their different frequency responses. What do you think would be a better choice for overheads? The pair of AKG C1000s? Or a combination of an Audio Technica AT3035 and a Neumann TLM103? Thanks for your input.
Reply With Quote
  #2  
Old 03-31-2006
giraffe's Avatar
giraffe giraffe is offline
i love negative rep
 
Join Date: Feb 2005
Posts: 2,827
Rep Power: 46067
giraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond repute
probably the mismatch..........
Fletcher was saying that he does it all the time, if it's good enough for him then it probably wont kill you.
__________________
audio?
seriously, give me negative rep.
Reply With Quote
  #3  
Old 04-01-2006
ndycus1 ndycus1 is offline
Senior Member
 
Join Date: Jul 2004
Location: Dalton, GA and Cleveland, TN
Age: 24
Posts: 183
Rep Power: 135
ndycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond repute
thanks for the input! does anyone else have an opinion on this matter?
Reply With Quote
  #4  
Old 04-01-2006
Middleman's Avatar
Middleman Middleman is offline
Professional Amateur
 
Join Date: May 2000
Location: Mission Viejo, CA
Posts: 2,874
Rep Power: 9529
Middleman has a reputation beyond reputeMiddleman has a reputation beyond reputeMiddleman has a reputation beyond reputeMiddleman has a reputation beyond reputeMiddleman has a reputation beyond reputeMiddleman has a reputation beyond reputeMiddleman has a reputation beyond reputeMiddleman has a reputation beyond reputeMiddleman has a reputation beyond reputeMiddleman has a reputation beyond reputeMiddleman has a reputation beyond repute
If it sounds good, it is good. Anything goes. Keep the 3 to 1 rule and match the levels. If it sounds off based eq-wise then move things around.

The 3035 might be a bit brighter, possibly harsh closer to the source and the 103 a little smoother on the highs. Use that to your advantage, if the snare is a little edgy then put the 103 on that side. Your ride cymbal is generally more midrange than the crash cymbal and the 3035 might work better over on the ride side.
__________________
This is just a test

Last edited by Middleman; 04-01-2006 at 23:47..
Reply With Quote
  #5  
Old 04-01-2006
SouthSIDE Glen's Avatar
SouthSIDE Glen SouthSIDE Glen is offline
independentrecording.net
 
Join Date: Apr 2005
Location: Chicago, IL. USA
Age: 50
Posts: 8,432
Rep Power: 1566206
SouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond reputeSouthSIDE Glen has a reputation beyond repute
Quote:
Originally Posted by ndycus1
thanks for the input! does anyone else have an opinion on this matter?
Yeah, personally I think that if you're doing punk/hardcore, you should keep the drum setup really simple and raw; a pair of 57s X/Y'd or ORTF'd immediately in front of the kit at a height halfway between the toms and the cymblas, with the D112 covering the kick. Angle the 57s straight back or down as needed to get the balance between the cymblas and the drums. Spread the resulting stereo with kick drum track package about 30 degrees (-15L to +15R degrees) on the soundstage. EQ, press and verb to taste. Save the TLM and the 3035 for vocals, ambeince, etc.

G.
__________________
Glen J. Stephan,
SouthSIDE Multimedia Productions

RECORDING RESOURCES AND INFO SITE:
Reply With Quote
  #6  
Old 04-01-2006
giraffe's Avatar
giraffe giraffe is offline
i love negative rep
 
Join Date: Feb 2005
Posts: 2,827
Rep Power: 46067
giraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond repute
i used to use 57's as overheads (when i had no choice), i wouldn't suggest it.
__________________
audio?
seriously, give me negative rep.
Reply With Quote
  #7  
Old 04-01-2006
treymonfauntre's Avatar
treymonfauntre treymonfauntre is offline
Magic Bag Of Sounds
 
Join Date: Apr 2005
Location: Central Florida
Posts: 1,252
Rep Power: 436
treymonfauntre has a reputation beyond reputetreymonfauntre has a reputation beyond reputetreymonfauntre has a reputation beyond reputetreymonfauntre has a reputation beyond reputetreymonfauntre has a reputation beyond reputetreymonfauntre has a reputation beyond reputetreymonfauntre has a reputation beyond reputetreymonfauntre has a reputation beyond reputetreymonfauntre has a reputation beyond reputetreymonfauntre has a reputation beyond reputetreymonfauntre has a reputation beyond repute
i'd pick the mismatched pair for sure, but why not try both real quick and see which one actually sounds better?
__________________
http://www.floridadiy.com
Reply With Quote
  #8  
Old 04-01-2006
giraffe's Avatar
giraffe giraffe is offline
i love negative rep
 
Join Date: Feb 2005
Posts: 2,827
Rep Power: 46067
giraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond repute
you can always go mono.
or maybe M/S, can the 103 do a fig8????
__________________
audio?
seriously, give me negative rep.
Reply With Quote
  #9  
Old 04-01-2006
B_rad B_rad is offline
Junior Member
 
Join Date: Dec 2005
Posts: 52
Rep Power: 4
B_rad will become famous soon enough
I use the c1000's all the time. They work well when used correctly. Once again SSglen is got the right idea. I also use a D112 and try putting a 57 on the beater side, you can get some good punch. You can hear the C1000's here.......................http://www.geocities.com/bradgolemon/

Oh and get a drumdail to tune and mic placement is a huge factor. I also try to get a good sound so you dont have to EQ everything and do a bunch of crap to get it to sound good. Have fun................
Reply With Quote
  #10  
Old 04-01-2006
gummblefish's Avatar
gummblefish gummblefish is offline
Twitchy Wanker
 
Join Date: Feb 2006
Location: Belfast, Norn Iron
Age: 30
Posts: 750
Rep Power: 39991
gummblefish has a reputation beyond reputegummblefish has a reputation beyond reputegummblefish has a reputation beyond reputegummblefish has a reputation beyond reputegummblefish has a reputation beyond reputegummblefish has a reputation beyond reputegummblefish has a reputation beyond reputegummblefish has a reputation beyond reputegummblefish has a reputation beyond reputegummblefish has a reputation beyond reputegummblefish has a reputation beyond repute
use one overhead
Reply With Quote
  #11  
Old 04-01-2006
ndycus1 ndycus1 is offline
Senior Member
 
Join Date: Jul 2004
Location: Dalton, GA and Cleveland, TN
Age: 24
Posts: 183
Rep Power: 135
ndycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond repute
I can't do m/s. The tlm103 can't do figure 8. Soutside Glen, what would cause you to choose the 57's as the overheads. I can tell from what you wrote that you think I should try to go with a very minimalistic approach. but, i don't understand why you would choose these over the others.
Reply With Quote
  #12  
Old 04-01-2006
treymonfauntre's Avatar
treymonfauntre treymonfauntre is offline
Magic Bag Of Sounds
 
Join Date: Apr 2005
Location: Central Florida
Posts: 1,252
Rep Power: 436
treymonfauntre has a reputation beyond reputetreymonfauntre has a reputation beyond reputetreymonfauntre has a reputation beyond reputetreymonfauntre has a reputation beyond reputetreymonfauntre has a reputation beyond reputetreymonfauntre has a reputation beyond reputetreymonfauntre has a reputation beyond reputetreymonfauntre has a reputation beyond reputetreymonfauntre has a reputation beyond reputetreymonfauntre has a reputation beyond reputetreymonfauntre has a reputation beyond repute
i think he was being tongue in cheek saying that all punk music should sound bad
__________________
http://www.floridadiy.com
Reply With Quote
  #13  
Old 04-02-2006
Bierman Bierman is offline
Newbie
 
Join Date: Apr 2006
Location: London, UK
Age: 30
Posts: 15
Rep Power: 0
Bierman is on a distinguished road
I once used a 1000 on snare and it sounded great, but it was for a big band so thats not exactly anything similar to what you're doing. use your ears!
Reply With Quote
  #14  
Old 04-03-2006
giraffe's Avatar
giraffe giraffe is offline
i love negative rep
 
Join Date: Feb 2005
Posts: 2,827
Rep Power: 46067
giraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond reputegiraffe has a reputation beyond repute
i've heard good things about the 1000 on snare actually, but i'd be willing to bet that the bleed could sound like poo.
__________________
audio?
seriously, give me negative rep.
Reply With Quote
  #15  
Old 04-03-2006
ndycus1 ndycus1 is offline
Senior Member
 
Join Date: Jul 2004
Location: Dalton, GA and Cleveland, TN
Age: 24
Posts: 183
Rep Power: 135
ndycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond repute
i've heard good things about it on snare too. it would definitely be worth a try, because i'd like to brighten up this band's snare anyway. if there is too much bleed, i'll just go back to a 57. but, i was mainly just looking for opinions on overhead choices. i think, though, that i'll end up using the AT3035 and TLM103 combo just for the fact that I've never done it before. if it really sucks, then i'll just take it down and go with the AKGs.
Reply With Quote
  #16  
Old 04-04-2006
Renascent Renascent is offline
Senior Member
 
Join Date: Sep 2005
Posts: 165
Rep Power: 433
Renascent has a reputation beyond reputeRenascent has a reputation beyond reputeRenascent has a reputation beyond reputeRenascent has a reputation beyond reputeRenascent has a reputation beyond reputeRenascent has a reputation beyond reputeRenascent has a reputation beyond reputeRenascent has a reputation beyond reputeRenascent has a reputation beyond reputeRenascent has a reputation beyond reputeRenascent has a reputation beyond repute
What are you using for preamps?
If the snare sounds dull, use your best preamp on the 57 for the snare. We AB'd a 57 and a 414B with a Focusrite liquidchannel and a Mackie 8bus and the 57 sounded amazing on the liquidchannel, 414 sounded like poop on the 8bus. It's all about the preamps in my opinion
Good luck with the project, sounds fun
Reply With Quote
  #17  
Old 04-04-2006
ndycus1 ndycus1 is offline
Senior Member
 
Join Date: Jul 2004
Location: Dalton, GA and Cleveland, TN
Age: 24
Posts: 183
Rep Power: 135
ndycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond reputendycus1 has a reputation beyond repute
Tampa, Envoice, DMP3, various low-end pres in this situation. But, once again, I'm not asking for advice on my snare sound. I'm asking about opinions for the overheads.
Reply With Quote
  #18  
Old 04-04-2006
BRIEFCASEMANX's Avatar
BRIEFCASEMANX BRIEFCASEMANX is offline
Winner chicken dinner!
 
Join Date: Jul 2004
Location: spokane, WA
Posts: 1,051
Rep Power: 9511
BRIEFCASEMANX has a reputation beyond reputeBRIEFCASEMANX has a reputation beyond reputeBRIEFCASEMANX has a reputation beyond reputeBRIEFCASEMANX has a reputation beyond reputeBRIEFCASEMANX has a reputation beyond reputeBRIEFCASEMANX has a reputation beyond reputeBRIEFCASEMANX has a reputation beyond reputeBRIEFCASEMANX has a reputation beyond reputeBRIEFCASEMANX has a reputation beyond reputeBRIEFCASEMANX has a reputation beyond reputeBRIEFCASEMANX has a reputation beyond repute
Quote:
Originally Posted by Middleman
If it sounds good, it is good. Anything goes. Keep the 3 to 1 rule and match the levels. If it sounds off based eq-wise then move things around.

The 3035 might be a bit brighter, possibly harsh closer to the source and the 103 a little smoother on the highs. Use that to your advantage, if the snare is a little edgy then put the 103 on that side. Your ride cymbal is generally more midrange than the crash cymbal and the 3035 might work better over on the ride side.
I never understood this. How is it even possible to do the 3 to 1 rule with overheads? I've never seen this done in pictures of drum mic setups in "big studios". What I usually do is angle the mics away from each other, this works well for me because my overhead mics are super bright on axis to begin with(c42's), and it lessens phase cancellation.
__________________
Be true, gentle warrior. Stay with me through the night, my fine stallion, you incredible and powerful beast.

Wild Hogan Recording
Reply With Quote
  #19  
Old 04-05-2006
jabulani jonny jabulani jonny is offline
Senior Member
 
Join Date: Jun 2004
Posts: 170
Rep Power: 751
jabulani jonny has a reputation beyond reputejabulani jonny has a reputation beyond reputejabulani jonny has a reputation beyond reputejabulani jonny has a reputation beyond reputejabulani jonny has a reputation beyond reputejabulani jonny has a reputation beyond reputejabulani jonny has a reputation beyond reputejabulani jonny has a reputation beyond reputejabulani jonny has a reputation beyond reputejabulani jonny has a reputation beyond reputejabulani jonny has a reputation beyond repute
I'm not sure what your budget is or if you'd even think about adding another pair of mics at this point, but I've not heard one good thing about the C1000's...ever. Well, let me restate that, I've heard their usability is extremely limited.

With that said, you can pick up a pair of Joe Meek JM27's for about $90 with mic bar mount to do XY or ORTF. I have heard good comments about these for budget SDC. Just something to think about.

Jonathan
Reply With Quote
Reply



Currently Active Users Viewing This Thread: 1 (0 members and 1 guests)
 
Thread Tools
Display Modes

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump
Google
 

Similar Threads
Thread Thread Starter Forum Replies Last Post
Newb help on Project 5 NewbMediaGuy Cakewalk / Sonar Forum 1 05-13-2005 20:03
saving new "normal" template as project folder lopie Cakewalk / Sonar Forum 3 02-09-2005 19:01
Consistent or Varying "sound" for a CD project? Cheeky Monkey Mixing / Mastering 0 02-06-2005 12:45
overhead mic choice lbcstudios Microphones 14 09-04-2003 23:07
Two B3's good choice as overhead? Sickmelvin Microphones 5 04-24-2003 15:26


All times are GMT -7. The time now is 00:32.


Powered by: vBulletin
Copyright ©2000 - 2009, Jelsoft Enterprises Ltd.
Copyright © 1995-2008 Audiofanzine except where noted. All Rights Reserved.