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#1
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My control room
I've asked this before in another thread, but didn't get a response. So, Ethan, or someone who knows, will i need a cloud above my mixing position if the ceiling slants up to the back of my room, and the back is deadened? I'm guessing not, but need to make sure. Also, isn't it usually a problem to mount your speakers(ear height)on a desk? Is it because the reflections off the desk? What about if your desk slants? Thanks, Panda'
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#2
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> will i need a cloud above my mixing position if the ceiling slants up <
The angle must be 35 degrees or more to avoid needing absorption at the first reflection points. --Ethan
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The acoustic treatment experts |
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#3
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Don't think it's that much, but thats good to know. I'm going to be mixing in 5.1 surround, so obviously will need more acoustic treatment than the average person. Could you recommend where to put the broadband absorbers in my room. The room is a tiny 6'6" x 7'6".
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#4
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The old trick is to have some take a mirror and go around the walls and ceiling. Anyplace that you can see the monitors in the mirror, you put absorption. This creates a reflection free zone at your monitoring prosition.
Bass apsorption is different. You just need lots of it.
__________________
The fabulous Naiant Mics, perfect for acoustic instruments!
If you don't have DavidK's CD, you are a loser. My tunes. Thanks! ![]() NB DA BEARS! |
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#5
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Yeah, heard that before, forgot it though. Will try it when the room is done.
Last edited by pandamonk; 03-08-2006 at 12:58.. |
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#6
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> Could you recommend where to put the broadband absorbers in my room. <
APL gave you the right answer. Then add as many bass traps in corners as you can possibly manage. --Ethan
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The acoustic treatment experts |
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#7
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Yeh, Only problem is that I doubt I'll be able to fit many bass traps. Should i do as your video on your site suggests and instead of mounting across the corners, mount on the door and wall at the corner? Does it matter if one side has more bass traps, or deeper absorbtion than the other? Because I've had a thought on how to build a really low frequency absorbing bass trap. I mentioned it a few months ago. Basically open the door and in the space put a broadband absorber. This makes the other room, the space behind the absorber making it absorb deeper bass. Someone said that for a 12' room, this trap would have peak absorbtion at 23Hz. Would it matter too much if i had this on one side, and just a standard bass trap across the corner on the other? What about the front wall? I wont be able to fit bass traps in those corners, but will be mounting broadband absorbers on the walls. If i spae them ouf from the wall slightly, will this suffice. I will be using Bondedlogic Ultratouch by the way. The absorbsion coefficients are:
Size Thickness 125 250 500 1000 2000 4000 NRC/STC R-13 3.5” .95 1.30 1.19 1.08 1.02 1.00 NRC 1.15 So it already has reasonable bass absorbsion. I don't know what it's like below 125Hz though. |
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#8
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It's the under 125 Hz part that's important and where the bass traps work their magic.
When the wavelengths start to get more than 1/3 or 1/4 the longest room dimension, the wave is trying to slosh the air, almost like pushing on a part of a balloon and the other part expanding. It's so everywhere at once in the room that you can put that absorption anywhere. The wave sort of leaks out of the room where the absorption is. Another way to make bass traps (my personal fave for bang-buck-simplicity) is to take the 4 x 8 sheets of 703 and cut into triangles. Then, in the vertical corners you just stack them up. You can easily arrange them on the floor/wall corner, too, on their edges.
__________________
The fabulous Naiant Mics, perfect for acoustic instruments!
If you don't have DavidK's CD, you are a loser. My tunes. Thanks! ![]() NB DA BEARS! |
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#9
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> Should i do as your video on your site suggests and instead of mounting across the corners, mount on the door and wall at the corner? <
Only after you've treated all the wall-ceiling corners. > Does it matter if one side has more bass traps, or deeper absorbtion than the other? < Not much. > I've had a thought on how to build a really low frequency absorbing bass trap. < Why do you think you need a bass trap for the really low frequencies? What matters most is from around 80 to 300 Hz. I'm not saying that trapping lower frequencies is not useful, but it's less important. --Ethan
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The acoustic treatment experts |
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#10
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Honestly? I've been put under the impression that the lowest frequencies are what you wanna be trapping. Well the insulation i will using for absorbsion has a coefficient of .95 at 125Hz, so down at 80Hz it should absorb quite well. I'm not sure about wall-ceiling corners, 'cause my ceiling is very low. About 5'8" - 6'6"(I'm guessing) and I have doors and air vents to fit.I suppose i could have them at the mixing soition like the attached pics.
Last edited by pandamonk; 03-11-2006 at 08:33.. |
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#11
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Quote:
__________________
The fabulous Naiant Mics, perfect for acoustic instruments!
If you don't have DavidK's CD, you are a loser. My tunes. Thanks! ![]() NB DA BEARS! |
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#12
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You've confussed me, please explain. I thought i knew about this stuff, but obviously not.
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#13
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Quote:
Ben
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http://www.emergencyexitmusic.com |
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#14
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Yeh, that's what I thought. It doesn't say it's good there, but i thought if it's good at 125, it should at least be reasonable at 80, like .60 or sumthin
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#15
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Quote:
__________________
The fabulous Naiant Mics, perfect for acoustic instruments!
If you don't have DavidK's CD, you are a loser. My tunes. Thanks! ![]() NB DA BEARS! |
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#16
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How come? Could you please explain how to calculate roughly what it will be like. I've compared it to others with roughly the same coefficients but that show deeper absorbsion than 125 and it doesn't seem too bad. I know every types different, but surely it wont be .95 to .35 in 45Hz
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#17
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Quote:
__________________
The fabulous Naiant Mics, perfect for acoustic instruments!
If you don't have DavidK's CD, you are a loser. My tunes. Thanks! ![]() NB DA BEARS! |
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#18
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Quote:
Not to try and hi-jack the thread, but APL I have seen you say this before about the triangle bass traps and I was going to attempt this with my left over 703. After I cut the triangles, stack them 3-4 high (2" thick 703), cover it with fabric, then just put them on the floor/wall/wall tricorners? Does that sound accurate and also should I mount them on ceiling/wall/wall tricorners too? And lastly, does it matter if the bass traps touch my broadband absorbers? Like in the ceiling corner here Thanks in advance - Looks like cool setup btw Panda (im jealous) ![]() |
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#19
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Quote:
1. RealTraps. I haven't talked these up enough lately. 2. The triangles of 703, stacked in the corners from floor to ceiling and along the wall floor corners, too. 3. 703 straddling corners. 4. Stack rolls of pink in the corners up to the ceiling.
__________________
The fabulous Naiant Mics, perfect for acoustic instruments!
If you don't have DavidK's CD, you are a loser. My tunes. Thanks! ![]() NB DA BEARS! |
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#20
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1) Yea, Realtraps are quite the product, but out of my budget and overkill for me in my small space atm.
2) Oh, so the entire height of the wall in the corner? Interesting...I was thinking of putting fabric around the triangles and making them look similar to this shape 3) I have no space to straddle (small space as it is) 4) I have this extra 703 I will use and try your stacking method. |
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#21
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Quote:
__________________
The fabulous Naiant Mics, perfect for acoustic instruments!
If you don't have DavidK's CD, you are a loser. My tunes. Thanks! ![]() NB DA BEARS! |
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#22
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Quote:
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#23
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Quote:
__________________
The fabulous Naiant Mics, perfect for acoustic instruments!
If you don't have DavidK's CD, you are a loser. My tunes. Thanks! ![]() NB DA BEARS! |
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#24
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That too, do you know how to calculate it?
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#25
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Quote:
__________________
The fabulous Naiant Mics, perfect for acoustic instruments!
If you don't have DavidK's CD, you are a loser. My tunes. Thanks! ![]() NB DA BEARS! |
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