![]() | ![]() |
|
#1
|
|||
|
|||
|
Micing Cymbals?
Hi, I am currently recording drums with my band. We have a 6 piece set of Audix Fusion drum mics that are run into a 16 track mixer and then into a Boss Br-1180. So far we have got a really great sound from everything except the overheads. The cymbals drown out everything. I'm sort of a beginner at recording. Does anyone have any advice or suggestions? Thanks!
|
|
#2
|
||||
|
||||
|
I would guess it's the mic placement. Where and how do you have them set up?
|
|
#3
|
||||
|
||||
|
maybe raise your cymbal mics higher... i keep mine about 3 feet up from the cymbals (in stereo x/y configuration, over the centerline of the kit)
gl |
|
#4
|
||||
|
||||
|
I did a quick search and got this among many others...
http://www.homerecording.com/bbs/sho...ht=drum+micing I usually spend extra time on my OH placement. They're kinda the "sum" of the kit so getting them dialed in right will get you a nice cymbal mix as well as the rest of the kit. I use the 4 mic technique with 1 OH above the snare and the other over the drummers right shoulder. Works pretty well. How's your room? Treated? Large? Small? Food for thought, mang......... |
|
#5
|
|||
|
|||
|
Quote:
|
|
#6
|
|||
|
|||
|
I just read on a site that one of the most common problems is mixing everything else (kick, snare, toms, etc.) before you mix the overheads. I have been doing just the oppositive of this. Also, my overheads are about a foot above and away from the drumset which is probably way too close. My drummer and I will work with this new information and see how it turns out. Thanks for the help!
|
|
#7
|
||||
|
||||
|
so your overheads are, in essence, under any reasonable sized person's head?
__________________
http://www.floridadiy.com |
|
#8
|
||||
|
||||
|
Quote:
I think they mean a foot above the cymbals. Even though I have used what I call "underheads". I set my kit up, then I just put up a pair of "overheads" somewhere between the top of the toms, and the bottom of the cymbals, and aimed down. It gives the toms a little room to breathe, and keeps the cymbal volume lower in the mics. Tim |
|
#9
|
||||
|
||||
|
Quote:
__________________
http://www.emergencyexitmusic.com |
![]() |
| Currently Active Users Viewing This Thread: 1 (0 members and 1 guests) | |
| Thread Tools | |
| Display Modes | |
|
|
Similar Threads
|
||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| Cymbals, Cymbals, and more Cymbals. | capnkid | Drums and Percussion | 25 | 05-27-2005 10:23 |
| Darkening those brand new cymbals! | dg8k | Drums and Percussion | 21 | 05-05-2005 16:51 |
| micing a drum kit with many toms and cymbals | willow | Microphones | 6 | 08-02-2004 12:06 |
| Micing Cymbals | paudrummer | Drums and Percussion | 4 | 08-19-2002 11:30 |
| micing snare + cymbals : leakage | phatstadt | Recording Techniques | 3 | 11-30-1999 21:33 |