![]() | ![]() |
|
#1
|
|||
|
|||
|
Tibe Mic solid state Pre vs Solid State Mic and Tube Pre
For someone starting out, would it be better to have a Tube mic with a solid state pre or a solid state mic and a tube pre?
Me thinks SSmic w/Tube Pre...... BG |
|
#2
|
||||
|
||||
|
Quote:
(assuming, of course, a "starting out" budget is at work here...)
__________________
Just think how good you could play if you were sober! My Little Corner Of The World SC's MySpace |
|
#3
|
||||
|
||||
|
It doesnt matter which you get tube mic to tube preamp or any other combo.
What does matter is junk mic to junk preamp Junk preamp to junk mic. Quality is quality tube or not. |
|
#4
|
|||
|
|||
|
it's a matter of sound man. that's it. put as many tubes in the chain as you want. it does'nt matter. you either like the sound or you don't.
|
|
#5
|
||||
|
||||
|
SS mic and SS pre!
![]()
__________________
They that can give up essential liberty to obtain a little temporary safety deserve neither liberty nor safety. -B.F. |
|
#6
|
|||
|
|||
|
you could get more flexibility with a tube preamp. of course it's important what sort of preamp it is. a tube mic can sometimes be a PITA with the wrong sort of preamp .
|
|
#7
|
||||
|
||||
|
all recording gear is overrated. Work on making the room you record in better. Even if you have to make it all temporary because you don't own the place.
$1000 pres and mics don't sound good until they get a decent SOURCE put into them. -and that might including learning to play the guitar first. ![]()
__________________
. |
|
#8
|
|||
|
|||
|
Aw Man!
Quote:
I understand the equipment quality piece, but I see a lot of comments relative which mic to buy first and I believe this question re: SSmic/Tube pre might help a little in that decision. Thanks!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! BG/HSG |
|
#9
|
||||
|
||||
|
Quote:
__________________
. |
|
#10
|
||||
|
||||
|
gee you're such an outlaw!
__________________
http://www.floridadiy.com |
|
#11
|
||||
|
||||
|
It totally depends on *which* mic and *which* preamp. I don't think you can make generalizations about combining whole classes of gear.
What mics and preamps are you considering?
__________________
http://www.misterpotts.com |
|
#12
|
|||
|
|||
|
That's not a question that could be anwered in any meaningful way.
It's like asking, "Which guitar is better for a beginner - one with a rosewood fretboard or one with a maple fretboard?"
__________________
"A man with wings can do anything! But a man with a rocket can do EVERYTHING!!!!!" |
|
#13
|
||||
|
||||
|
For a pro or semi pro sound guy, Sonic's point is quite valid. But for someone just starting out at home it is probably overkill to try and split that kind of hair with a total newbie. Most rookies just want to get something recorded and will not know the subtle differences in sound you get by comparing pre's to pre's and mics to mics until a few years after they get some rust cleaned off their heads!
A total rookie will learn more with a reliable SS condenser and a decent tube preamp.
__________________
Just think how good you could play if you were sober! My Little Corner Of The World SC's MySpace |
|
#14
|
||||
|
||||
|
In my (admittedly limited) experience, there are some OK tube mics in the budget range but there aren't really any decent tube pres (the EH pre being one exception). Of course I'm assuming that someone 'starting out' isn't going to want to spend a lot of money staright away.
If you're not spending much money on a pre I'd go solid state, then just pick a mic which you like the sound of/suits your needs, regardless of the circuit topology.
__________________
"Just give the great unwashed a pair of oversized breasts and a happy ending, and they'll 'oink' for more every time." C. M. Burns http://www.shuttleworths.co.uk/micloop.gif |
|
#15
|
|||
|
|||
|
Quote:
__________________
In His Name Big Kenny |
|
#16
|
||||
|
||||
|
(broken record mode)
yeh, no real way to answer that. However, I will tell you this (just in case it comes to mind): Alot of people are going to tube outboard gear in the digital realm to help "analog treat" the sound. It's a myth that needs to be debunked. Tube mics and tube gear in digital recording have very little to do with getting it to sound "analog". True analog sound and digtal material "patched" in tubage are two completely different sounds. Some tube stuff might be compatible to solid state stuff, and then again, it might not. Just depends on your ears. Oh and also depends on your ability to see through the salesman "bullshit with a guarantee" crap. |
![]() |
| Currently Active Users Viewing This Thread: 1 (0 members and 1 guests) | |
| Thread Tools | |
| Display Modes | |
|
|
Similar Threads
|
||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| Review – Studio Projects VTB1 mic pre | Dot | The Rack | 68 | 07-21-2007 21:29 |
| nanocomp better than art tube mic pre? | trdn1 | Other Equipment and Reviews | 2 | 03-11-2006 12:22 |
| All the World's Tube Microphones PART ONE | Bambi Busboom | Microphones | 2 | 08-15-2004 04:02 |
| "dialing in" more "tube" in mic pre a.k.a how to use those 2 knob tube mic preamps | junplugged | The Rack | 1 | 07-10-2004 20:50 |
| Solid State Mic pre for DAW? | lefant | Microphones | 5 | 06-22-2000 22:24 |